© Gnossienne Gallery
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gnossienne:Church of All Hallows, London Wall (c. 1890)
gnossienne:John Ruskin’s study of the exterior of the Ducal Palace, Venice (1865)
gnossienne: La Villa Sola Cabiati, Lago di Como
gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens (x)“Check this shit
gnossienne:Handel’s Ariodante, dir. Stefano Poda for Opéra de Lausanne (2016)
gnossienne:Herakles from Grief Lessons: Four Plays by Euripides, trans. Anne Carson
gnossienne:Virginia Woolf, Night and Day (1919)
gnossienne:Curiosa (2019), dir. Lou Jeunet
gnossienne:Der Einsame im Herbst (The lonely one in autumn), from Mahler’s Das Lied von der Erde
gnossienne:Virginia Woolf, Night and Day (1919)
gnossienne:The Isle of Skye, as featured in Macbeth (2015)
gnossienne:Niroot Puttapipat’s illustrations for the Folio Society’s “Myths and Legends of Russia” (
gnossienne:“To desire and be desired, what could be simpler?” – Anne Carson, Plainwater
Yet when the berried holly-treeAt winter smiles, a gleamOf something genial comes to blessThe not un
Scenes from a morning walk (© gnossienne, please do not remove credit)
gnossienne:Jane Hirshfield, “Vinegar and Oil”
gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)
gnossienne:Gandhi (dir. Richard Attenborough, 1982)
gnossienne:John Ruskin’s study of the exterior of the Ducal Palace, Venice (1865)
gnossienne:Jack Rennie as Orfeo for Opera Atelier 09/10
gnossienne:La clemenza di Tito (L.A. Opera, 2019)
gnossienne:Alberto Caeiro (Fernando Pessoa), XLVIII (1914)
gnossienne:Erté, design for stage set for “Les Mariages” (1924)
gnossienne:Mary Shelley, Frankenstein
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