159 Gallery
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artthatgivesmefeelings: Francisco de Zurbarán [Spanish. 1598 - 1664] Immaculate Conception. 1
sketchytea: “I’ll be back” - Kiku, probablyA.D. 1598 - fashionably late, 
Gian Lorenzo Bernini (1598–1680), Saint Sebastian (detail) “The arrows have eat
books0977: Saint Catherine of Alexandria (c.1598). Caravaggio (Italian, 1571-1610). Oil on canvas. T
todiewasanartt:Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
todiewasanartt:Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
historyarchaeologyartefacts:“Cup and Cover in the form of a Partridge” Nuremberg, 1598-1602 CE [876x
historyarchaeologyartefacts:“Cup and Cover in the form of a Partridge” Nuremberg, 1598-1602 CE [876x
cultureandkitsch:Bird Cup, Georg Ruhl, c.1598-1602, silver gilt, gold, gems and mother of pearl, The
paintingispoetry:Domenico Tintoretto, Penitent Magdalene, ca.1598-1602
historyarchaeologyartefacts:“Cup and Cover in the form of a Partridge” Nuremberg, 1598-1602 CE [876x
todiewasanartt: Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
todiewasanartt: Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
Domenico Tintoretto - Penitent Magdalene - 1598-1602
master-painters:Domenico Tintoretto - Penitent Magdalene - 1598-1602
todiewasanartt: Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
Tintoretto, The Penitent Magdalene 1598-1602
unapprochablesphinx: Domenico Tintoretto, The Penitent Magdalene, 1598-1602 c. (details)
renaissance-art: Tintoretto c. 1598-1602Penitent Magdalene (details)
Sacrifice of Isaac, variously attributed to Caravaggio or Bartolomeo Cavarozzi, ca. 1598-1603
Attributed to Caravaggio - Judith & Holophernes - c 1598-1610 [4800x3971]
Elisha and Gehazi (c.1630). Lambert Jacobsz (Dutch, c.1598-1636). Oil on canvas.Depicts a standing b
Paintings after Ancient Masters: Autumn Landscape, Chen Hongshou, 1598-1652, Cleveland Museum of Art
Paintings after Ancient Masters: Portrait of Zhongqing in a Landscape, Chen Hongshou, 1598-1652, Cle
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