1770s Gallery

tiran kandros richard brown simslook renserizawa bechloe fanfic
Mr. and Mrs. John Custance (A Gentleman and Lady, Painted in Commemoration of Their Marriage)Benjami
Alexander Roslin (Swedish; 1718–1793)John Jennings, Esq., his Brother, and His Sister-in-LawOil on c
SleepJean Bernard Restout (French; 1732–1797)ca. 1771Oil on canvasThe Cleveland Museum of Art, Cleve
Francis Basset, I Baron of DunstanvillePompeo Batoni (Italian; 1708–1787)1778Oil on canvasMuseo Naci
Mr. and Mrs. John Custance (A Gentleman and Lady, Painted in Commemoration of Their Marriage) [detai
Portrait of a woman, possibly Miss Nettlethorpe by Henry Walton, c. 1770
View of the Eruption of Mount Vesuvius, Pierre-Jacques Volaire, 1770s
Joseph-Benoît Suvée (French, born Belgium; 1743–1807)The Predication of Saint PaulOil on canvas, ca.
An AcademyJohn Hamilton Mortimer (British; 1740–1779)ca. 1773Graphite on moderately thick, slightly
galleryofunknowns:Pompeo Batoni (b.1708 - d.1787), ‘Portrait of a Gentleman’, oil on canvas, c.1770s
The Adoration of the ShepherdsAnton Raphael Mengs (German; 1728–1779)1770Oil on oak panel Museo Naci
Group in an interior by Johann Eleazar Zeissig, also known as Schenau, 1773
Charlotte of Mecklenburg-Strelitz, queen of Great Britain and Ireland, in an official portrait paint
Augustin Pajou, Bust of Madame du Barry 1773 Marble, height 60 cm Musée du Louvre, Paris
artschoolglasses:The Love Letter, Jean Honore Fragonard, 1770s
Johann Zoffani, Portrait of Ann Brown in the Role of Miranda, 1770
The Drawing LessonFrançois-André Vincent (French; 1746–1816)1777Brush and brown
“The Game of blind man’s buff ” by Noël Hallé, 1770
Three versions of Marie-Antoinette’s portrait by Jean-Baptiste Charpentier le Vieuxafter J
John MustersSir Joshua Reynolds (British; 1723–1792)1777–ca. 1780 Oil on canvasNational
Elegant interior with man sitting in armchair in front of the fireplace, with his wife on his knees,
Sir Joshua Reynolds (British; 1723–1792)Lady Elizabeth Delmé and Her Children1777&ndash
18thcenturyfop: Waistcoat 1770–1780 Bequest of Richard Cranch Greenleaf in memory of his mot
ephemeral-elegance: Robe a l’Anglaise and Shoe Ensemble, ca. 1775 via The Met
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