As Performance Gallery
maike vierkant
stillherestillfighting
tight-white
disrupting
happylifestyle
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance that David Wojnarowicz made i
In his performance, The OG of Undocumented Children, artist Guadalupe Maravilla continues his ongoin
From here: “Eric’s final performance was at the Roses Theatre, Tewkesbury on 28
miss-strict:“So I spoke to your boss and was not at all happy with your performance review for
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twixnmix:Dolly Parton posing for portraits before a performance in Detroit, 1977.
kristalknobb:performance art of two women, dressed in Edwardian clothes, quietly float on a pond, en
magictransistor: Joseph Beuys. I Like America and America Likes Me, 1974. Photo documentation by Car
solradguy: Poster art for a 2006 performance of Mozart’s opera Don Giovanni at the Tokyo Bunka
Join us for the return of our newest member, Michelle! After her first performance with us during Ha
Next up in our lineup of fearsome performers, we have Catherine Belmont making her first performance
Tom Barber of Lorna ShoreRevolution Music Hall, Amityville NYDesolation of Eden Tour 03/06/2016
James Harrison of Oceans Ate AlaskaRevolution Music Hall, Amityville NYDesolation of Eden Tour 03/06
James Harrison of Oceans Ate AlaskaRevolution Music Hall, Amityville NYDesolation of Eden Tour 03/06
Alex Koehler of Chelsea GrinRevolution Music Hall, Amityville NYDesolation of Eden Tour 03/06/2016
‘Leap into the Void’ - artistic action by Yves Klein, 1960. Photograph taken by Harry Sh
Tiffany Trenda is a new media performance artist based out of Los Angeles and New York. Trenda was i
visual-poetry: »love letter« demolition performance by yael kanarek (+)
A woman dances following the beat of music in a club. Shinjuku, TokyoPhoto : Pierre-Emmanuel Del&eac
A geisha performed on stage during The Asian Banker International Awards 2017 ceremony at the Conrad
I was asked to do a poster for Marshall Art’s and Cory Johnson’s Chipspace performance a
blueblackdream:Günter Brus, Self-Painting I, 1964
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