Ballet Russes Gallery
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thefugitivesaint:Léon Bakst (1866-1924), ‘Dieu Bleu’, “7me Saison des Ballets Russes”, 1912Source
didoofcarthage:Cloaks from costumes for brigands in Daphnis et Chloé, designed by Léon Bakst and cre
Beaumont, Cyril W. (Cyril William), 1891-1976. The art of Lubov Tchernicheva, 1922. TS 552.32.15.2 (
Sarah Lamb and Steven McRae in Rubies, Russian Ballet Icons Gala, In the steps of the Ballets Russes
Le Spectre De La Rose, 1911, Design for Nijinksky’s Costume by Léon Bakst in Mikhail Fokine&rs
Costume design by Giorgio de Chirico for a male guest in Le Bal Italian, c. 1929graphite and tempera
Lubov Tchernicheva in Thamar, Ballets Russes, c. 1930s
Mayo, Eileen, artist. Portrait of Serge Lifar in La Chatte, 1928.MS Thr 495 (298)Houghton Library, H
barcarole:Some of Léon Bakst’s set designs for the Ballets Russes: Boris Godunov (1908) Scheherezade
André Derain (1880-1954), ‘Curtian Sketch’, “La Boutique Fantasque”, 1919Sou
tiagoloureiroscrapbook:Nijinsky as Petrushka
Evening CoatLucile1911Purple silk velvet and gold lame opera coat with silk satin lining and integra
Sheet showing preliminary sketches of the Danse Sacrale from Le Sacre du Printemps, by Valentine Gro
Paris Années Folles La vie artistiqueCarol MannSomogy éditions d'art , Paris 1996, 206 pages,24 x 32
VaslavNijinsky as the Favorite Slave in “Schéhérazade”1910Gelatin silver printPhotograph
Alexandra Danilova in Apollon Musagèteca. 1928 Photograph (unknown photographer) Library of Congress
Ballets Russes souvenir program for a season at Theatre de Monte-Carlo, 1928.MS Thr 414Houghton Libr
Drawing of Leonide Massine in Legend of Joseph, 1930.MS Thr 414.2Houghton Library, Harvard
Prop design by Léon Bakst, for a daybed used by Ida Rubinstein during rehearsals of CléopâtreRussian
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