Ballets Russe Gallery

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thefugitivesaint:Léon Bakst (1866-1924), ‘Dieu Bleu’, “7me Saison des Ballets Russes”, 1912Source
didoofcarthage:Cloaks from costumes for brigands in Daphnis et Chloé, designed by Léon Bakst and cre
Beaumont, Cyril W. (Cyril William), 1891-1976. The art of Lubov Tchernicheva, 1922. TS 552.32.15.2 (
Sarah Lamb and Steven McRae in Rubies, Russian Ballet Icons Gala, In the steps of the Ballets Russes
Le Spectre De La Rose, 1911, Design for Nijinksky’s Costume by Léon Bakst in Mikhail Fokine&rs
Costume design by Giorgio de Chirico for a male guest in Le Bal Italian, c. 1929graphite and tempera
Lubov Tchernicheva in Thamar, Ballets Russes, c. 1930s
Mayo, Eileen, artist. Portrait of Serge Lifar in La Chatte, 1928.MS Thr 495 (298)Houghton Library, H
barcarole:Some of Léon Bakst’s set designs for the Ballets Russes: Boris Godunov (1908) Scheherezade
André Derain (1880-1954), ‘Curtian Sketch’, “La Boutique Fantasque”, 1919Sou
tiagoloureiroscrapbook:Nijinsky as Petrushka
André Édouard Marty (1882-1974), “Souvenir Program The Firebird”, June 1910Source
Sheet showing preliminary sketches of the Danse Sacrale from Le Sacre du Printemps, by Valentine Gro
Paris Années Folles La vie artistiqueCarol MannSomogy éditions d'art , Paris 1996, 206 pages,24 x 32
VaslavNijinsky as the Favorite Slave in “Schéhérazade”1910Gelatin silver printPhotograph
Alexandra Danilova in Apollon Musagèteca. 1928 Photograph (unknown photographer) Library of Congress
Ballets Russes souvenir program for a season at Theatre de Monte-Carlo, 1928.MS Thr 414Houghton Libr
Drawing of Leonide Massine in Legend of Joseph, 1930.MS Thr 414.2Houghton Library, Harvard 
Prop design by Léon Bakst, for a daybed used by Ida Rubinstein during rehearsals of CléopâtreRussian
Beaumont, Cyril W. (Cyril William), 1891-1976. The art of Lubov Tchernicheva, 1922.TS 552.32.15.2 (A
Marie Laurencin (1883-1956), ‘Les Biches’ (Drop Curtain Design), 1924Source
Alexandra Danilova andSerge Lifar in Apollon Musagèteca.1928Photograph (unknown photographer)Library
Photographs of Lubov Tchernicheva and Vaslav Nijinsky in L'Après-midi d'un Faune by Adol
Prop designs by Léon Bakst for PhèdreRussian, 1923graphite, watercolor, gouache, and m
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