Barca Gallery

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barcarole: Manuscript of the last two pages of Fauré’s La fleur qui va sur l’eau, Op. 85, No. 2.
barcarole: Natalia Osipova in Act II of Giselle at the Royal Opera House, 2014.
barcarole:Who can fathom the depths of another man’s heart? How can those who were never in need of
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole:Toshiro Mifune at home, 1950s.
barcarole:Clarice Lispector at home, ca. 1950s.
barcarole: Alberto Moravia, Pier Paolo Pasolini and Laura Betti having dinner at the Fiaschetteria B
barcarole:Pushkin, St. Petersburg, 1989. Photos by Inge Morath.
barcarole:Dvořák’s autograph of Jirka’s aria in Act One Já ubohej ovcácek from the opera Čert a Káča
barcarole: Some pages from Virginia Woolf’s photo album at Monk’s House.
barcarole:Schönberg’s first and last pages of his manuscript for Verklärte Nacht, Op. 4.
barcarole: Some pages from Virginia Woolf’s photo album at Monk’s House.
barcarole: Musical autograph of Massenet’s unpublished L’Adorable Belboul, dated 1873.
barcarole: The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. But
barcarole:Manuscript of the first page of Nietzsche’s Ecce Homo, 1888.
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole: The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. Bu
barcarole: Francis Bacon at his studio in London, 1967. Photos by Ian Berry.
barcarole: Manuscript for La Riviere de Cassis, a poem Rimbaud wrote for Verlaine in the summer of 1
barcarole:Detail from Daedalus and Icarus, Orazio Riminaldi, 1625.
barcarole:Natalia Osipova in Act II of Giselle at the Royal Opera House, 2014.
barcarole:Some of Léon Bakst’s set designs for the Ballets Russes: Boris Godunov (1908) Scheherezade
barcarole: Stravinsky checking his scores at Columbia Records in NYC, 1957. Photo by Dennis Stock.
barcarole:Lisbon, Portugal, 1998. Photos by Gueorgui Pinkhassov.
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