Barca Gallery

dirk roosenburg oregonia czech jews pachinkomachine appaloosa horse
barcarole:Corn poppies and daisies in an olive orchard in Crete, 1983. Photos by Dennis Stock.
barcarole: F for Fake, dir. Orson Welles, 1973.
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole: Angelica Garnett, Vanessa Bell, Clive Bell, Virginia Woolf, John Maynard Keynes and Lydi
barcarole:Small Tree in Late Autumn, Egon Schiele, 1911.
barcarole: Manuscript of the last two pages of Fauré’s La fleur qui va sur l’eau, Op. 85, No. 2.
barcarole: Natalia Osipova in Act II of Giselle at the Royal Opera House, 2014.
barcarole:Who can fathom the depths of another man’s heart? How can those who were never in need of
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole:Toshiro Mifune at home, 1950s.
barcarole:Clarice Lispector at home, ca. 1950s.
barcarole: Alberto Moravia, Pier Paolo Pasolini and Laura Betti having dinner at the Fiaschetteria B
barcarole:Pushkin, St. Petersburg, 1989. Photos by Inge Morath.
barcarole:Dvořák’s autograph of Jirka’s aria in Act One Já ubohej ovcácek from the opera Čert a Káča
barcarole: Some pages from Virginia Woolf’s photo album at Monk’s House.
barcarole:Schönberg’s first and last pages of his manuscript for Verklärte Nacht, Op. 4.
barcarole: Some pages from Virginia Woolf’s photo album at Monk’s House.
barcarole: Musical autograph of Massenet’s unpublished L’Adorable Belboul, dated 1873.
barcarole: The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. But
barcarole:Manuscript of the first page of Nietzsche’s Ecce Homo, 1888.
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
barcarole: The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. Bu
barcarole: Francis Bacon at his studio in London, 1967. Photos by Ian Berry.
barcarole: Manuscript for La Riviere de Cassis, a poem Rimbaud wrote for Verlaine in the summer of 1
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