Contemporary Crafts Gallery
briansfancies
seahawks
お澄ましひな祭り
misawa
carsonsofias
I started carving this Tree Kuksa / cup thing so long ago that I can’t recall how long it has
Hello everyone….I hope you all had a nice Holidays & a Happy New Year!! I wanted
“A=2 (π-2)”, 2016 By: RON ULICNY….* one more new piece from my current exhibit
“Tango”, c. 1922 By: ELIE NADELMAN….
“Sleepers (We Are Here)”, 2016 By: RON ULICNY….* one more new piece from
“Triangulation (Good As New)”, 2016 By: RON ULICNY….* another new piece
“Ellipsification (Negativity)” & “Ellipticity (Positivity)”, 2016&nb
Pigmaleão Estúdio – Arte | Ilustração Contemporânea | Ambien
Work by Sussana Heron Images from a book about her bodywork exhibition at the Crafts Council 1980
One more from my current solo exhibition “Raison D’etre” at the @cindylisicagaller
My current solo exhibition “Raison D’etre” is now on view through November 11th, 2
“Raison No. 32″, 2017 By: RON ULICNY….
“Raison No. 669″, 2017 By: RON ULICNY….
Another new one from my current exhibiton “Raison D’etre” at the @cindylisicagalle
Nuove copertine ricamate realizzate su commissione . . . . #embroideryillustration #embroidery #sti
Recurrent sections of unwoven warp is an element inspired by Greek clothing depicted on historical p
contemporary-art-blog:Jim Hodges
I made a paper cut out yesterday, now I have huge blisters on my fingers! Worth it though
Anna Valdez
Anna Campbell, Grid for a Central Core Dickiecement, latex, 12” w x 6” d x 24” h,
One more from my current solo exhibition “Raison D’etre” at the @cindylisicagaller
“I Became A Secret Hippy”, 1971 By: CHRIS BURDEN….
‘Chromatin Loops’ close-ups showing one of the multifarious effects that can be
“Two Forms (Orkney)”, 1967 By: BARBARA HEPWORTH….
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