Contemporary Sculpture Gallery
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うたの☆プリンスさま
hydrodippedcanvas
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Tommy Coleman“A ROMANTIC WORK HORSE/THE LABOR OF LOVE”Clay, Leather, Gouache, Watercolor, Automotive
Annie Parnellat the ANU School of Art & Design 2019 Graduating Exhibition
Annie Parnellat the ANU School of Art & Design 2019 Graduating Exhibition
Rob Wynne’s FLOAT is a new gallery activation that alludes to the ephemeral nature of images.
DRIFT, Fragile Future, on view at the Shed through December 19.
Rita McBride, Carbon Obelisk, made for exhibition Emscherkunst 2010, Germany. Sculpture created with
Alina Zsapocznikow “Goldfinger” 1965
“Serenissima” by Philip Jackson
“Saraband” by Philip Jackson
Scott Lyall Untitled (Magnitude) (2014) grayscale, white, and color ink dispersion, UV radiation on
Tony Schwensen - Border Protection Assistance Proposed Monument for the Torres Strait (Am I ever goi
LittleWhitehead - Blackhood, 2018
Patrick Colhoun - Always Watching Over You, 201812 x 8 x 28 cm
Monika Sosnowska - C and Concrete, 2017106.4 × 279.4 × 267.7 cm
Thomas Rentmeister - Square Tubes (Looping), 2019 420 x 675 x 205
Tom Galle, Moises Sanabria, Alyssa Davis - McDonald’s Brass Knuckles, 2017(11,4 x 14 x 1,3 cm) editi
Loris Greaud - I’ll pore upon the stream, 2017
“Schadenfreude” (1993), John ChamberlainJohn Chamberlain, who wrested rough magic from scrap metal o
Working on something new! I’ll add two baby elephants to this loving mother. Which means even
dbajagic:Kali Michaels, 2016 acrylic-latex paint and UV print on canvas, hand-painted wooden frame,
Amanda Ross-Ho, Untitled Sculpture (ONCE U GO BLACK), 2015. High density foam with urethane coating,
Yi Xin Tong, Toad Lip Ring Scratcher, 2017. Resin, fiberglass, steel, paint, and ink.
Dancing Owl, Palaya Qiatsuq, 2013
Robert Lazzarini - Police barricade, 2019116.8 × 274.3 × 104 cm
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