Design-is-fine Gallery
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design-is-fine:Male mannequins by Pierre Imans, made by the sculptor Clovis Trouille, circa 1930-194
design-is-fine:Joachim Tielke, Bass viol, 1700. Rosewood back and pine soundboard, engraved ivory, i
design-is-fine:Manuscript initial, decorated S in colors and gold, 15th century. Portion of leaf fro
design-is-fine:Johann von Aehrenthal, Deutschlands Kernobstsorten, 1833-37. Via Galerie Bassenge
design-is-fine:Compacts and eye shadows, 1920s–30s. Art Deco. USA, Europe, Argentina.The signature l
design-is-fine:Jörg Wilhalm, Fechtbuch, Fencing book, 1520. Including blood & deathblow. Ink dra
design-is-fine:Necmeddin Okyay, Necmeddin-Ebru, marbled paper, 1962-64. Istanbul.
design-is-fine:Oranges, 1639, Unknown artist, etching. Getty Research Institute, Los Angeles. Exhibi
design-is-fine:Egyptian interior design: Thrones, chairs, day beds, beds, tables, cabinets and misce
design-is-fine:Marbled paper, Zebra pattern, 19th century. Source
design-is-fine:Native American Projectile Points, Mississippian periods, 900-1600. USA. Via Arader G
design-is-fine:Pierre Mendell, poster for bavarian museums, 1984. Mendell & Oberer, Munich. Art
design-is-fine:Male mannequins by Pierre Imans, made by the sculptor Clovis Trouille, circa 1930-194
design-is-fine:Odes of Horace, illustrated by William Morris. Digital Collections at the University
design-is-fine:Theatrum Cometicum / The Theatre of Comets, first published in 1666-68. Amsterdam.Com
design-is-fine:Acquaintance cards, a variety of calling cards, 1870s-80s. USA. Via dangerousminds. M
design-is-fine:“Elfchen” paper doll, 1920s-1930s. Berlin. © Foto: Museum Europäischer Kulturen der S
design-is-fine:Micrographic Design in the Shape of a Labyrinth, early 17th century. Pen and ink. Ano
design-is-fine:Emil Orlik, corporate design for the events of the German newspaper Editors Society,
design-is-fine:Tadashi Ohashi, onion illustration for Kikkoman soy sauce, 1970s. From Graphis 1973.
design-is-fine:Mosaic glass and decorative plaques, 1st century B.C.E./C.E. The majority of the deco
design-is-fine:Mosaic glass and decorative plaques, 1st century B.C.E./C.E. The majority of the deco
design-is-fine:Carle Van Loo, Portrait of an unknown man, 1730-40. Oil on canvas, Château de Versai
design-is-fine:Nautilus Shell, 1845. National Maritime Museum, London. Via europeana
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