Diego Rivera Gallery
troubled detective
destroy-to-rebuild
woodenfurniture
moonmyrrhmaid
merrygainzmas
artist-rivera: The Hammock, 1956, Diego Rivera
lapitiedangereuse: Frida in front of an unfinished ‘Workers of the World Unite’ panel in
meanwhileongiphy: by @yigit148 [Colorized] Frida Kahlo (Senora Diego Rivera) standing next to an aga
Summer Days & Chambray Jumpsuits by Endlessly Enraptured
May Day, Moscow, Diego Rivera, 1928, MoMA: Drawings and PrintsGift of Abby Aldrich RockefellerSize:
Delfina and Dimas, Diego RiveraMedium: oil,canvaswww.wikiart.org/en/diego-rivera/delfina-and
El mercado, Diego Rivera, 1930, Minneapolis Institute of Art: Prints and DrawingsDiego Rivera attain
The Making of a Fresco, Showing The Building of a City, 1931, Diego RiveraMedium: fresco
Portrait of Madesta and Inesita, 1939, Diego RiveraMedium: oil,canvas
Tehuana Women, 1923, Diego RiveraMedium: fresco
The Land’s Bounty Rightfully Possessed, 1926, Diego RiveraMedium: fresco
May Day, Moscow, Diego Rivera, 1928, MoMA: Drawings and PrintsGift of Abby Aldrich RockefellerSize:
Red Snapper. Costume design for the ballet H.P. (Horsepower), Diego Rivera, 1927, MoMA: Drawings and
May Day, Moscow, Diego Rivera, 1928, MoMA: Drawings and PrintsGift of Abby Aldrich RockefellerSize:
Zapata, Diego Rivera, 1932, MoMA: Drawings and PrintsGift of Abby Aldrich RockefellerSize: compositi
Set design for scene three of the ballet H.P. (Horsepower), Diego Rivera, 1931, MoMA: Drawings and P
Click on the image to see the detail in its context, displayed in zoomable form. Detail from P
Click on the image to see the detail in a zoomable context. Detail from El Hombre in Cruce de Camino
16chakras: Portrait of Two Women (1914) by Diego Rivera (1886-1957),
nobrashfestivity: Diego Rivera, Portrait of Two Women
Diego Rivera, by Amedeo Modigliani, 1914
artist-rivera: The Architect, Jesus T. Acevedo, Diego Rivera
lapitiedangereuse: “I’ve never believed in God, but I believe in Picasso. ”- Dieg
Frida - Julie Taymor (2002)based on “Frida: A Biography of Frida Kahlo” by Hayden Herrer
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