English Romanticism Gallery
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ZebraGeorge Stubbs (British; 1724–1806)1763Oil on canvasYale Center for British Art, New Haven, Conn
I would like to apologise for this monstrosity.
The St. Gotthard Pass - William Turner 1804English 1775-1851
The Three Graces by William Ettyoil on millboardMetropolitan Museum of Art
Allegory by William Ettyoil on canvas, laid down on woodMetropolitan Museum of Art
⎨Literature Edits⎬→ Frankenstein, Mary Shelley “How dangerous is the acquirement of knowledge.”
Italian Coast Scene with Ruined Tower, Thomas Cole, 1838
Meditation by Richard WestallEnglish, 1802watercolor and touches of white, over graphite sketch, on
english-idylls:From The Sorrows of Young Werther by Johann Wolfgang Von Goethe (1774).
Lyme Regis, DorsetThomas Girtin (British; 1775–1802)ca. 1797Watercolor, opaque, transparent on moder
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond, James Ward, 1820
Samuel Taylor Coleridge (1772-1834)
this exchange in nick dear’s stage adaption of frankenstein sums up the whole novel in 3 lines
The Wheat Field, John Constable, 1816
Flint Castle, 1838, William TurnerMedium: watercolor,paper
Oskar Zwintscher, Mother of Pearl and Gold, 1909.
James Ensor, The Red Judge, 1900.
Paolo and Francesca, 1855, Dante Gabriel Rossetti
John Constable (1776 - 1837)The Hay WainSalisbury Cathedral from the Meadows Flatford Mill (Scene on
William Blake (1757 - 1827) The Night of Enitharmon’s Joy / The Triple Hecate Albion Rose Ober
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