Epoque Gallery

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Automobile Club de France/5me Salon. 1902. Privat Livemont.39 1/8 x 51 1/8 in./99.3 x 130 cmPersonif
American Crescent Cycles. 1899. Frederick Winthrop Ramsdell.42 ¾ x 62 7/8 in./108.6 x 159
Cycles Gladiator. ca. 1895. Anonymous.51 7/8 x 38 1/8 in./131.7 x 96.8 cmA lithographic masterpiece.
Caudieux. 1893. Henri de Toulouse-Lautrec.36 ¼ x 50 5/8 in./92.2 x 128.5 cmA well-loved c
Brooklyn Museum. 1920. Alphonse Mucha.12 1/8 x 19 1/8 in./23.8 x 48.5 cmIn 1921, a retrospective of
Cycles Americains. 1894. Emile Clouet.51 x 72 ½ in./129.5 x 184.2 cmBrash and bursting, C
Olympia / Brighton. 1893. Pal.30 ¾ x 49 3/8 in./78 x 125.3 cmJust as Pal was arriving to
A letto/Au lit Henri de Toulouse-Lautrec Palazzo Reale Milano 8.11.2018
glitterofthepast: Original b/w photo posted by antique-royals and colored by me.
Uma Thurman in The Golden Bowl (2000)
Model: @CandyXSmall Chair:  Belle Epoque Chair
L’Opéra Garnier de Paris Detail of the torchères au tambourin, on the Grand
Miss Lily Elsie. 1900s.
Art Nouveau doorway.
walzerjahrhundert: Jane Avril at the Moulin Rouge, c.1892
Herbert Luey Evening dress | Met Museum | ca. 1890 One of the cases where the back of the gown certa
Erwin Puchinger (1876-1944). Postcard Design. Gilded pen & ink ca. 1900
Bookplate with the motto, ‘Fert in omnia rutubam et tristitiam terribilis amor’,
keroiam: Art Nouveau Color Palette
Willy. Danseuses. Ed. Albert Méricant. Cover art by Charles Atamian (1872, Instanbul - 1947,
detournementsmineurs: “La Bijouterie Française au XIXe siècle (1800-1900)&rdquo
Revival in Belle Epoque postcards of themes inspired by Antiquity
Vintage ad “La Mascota”, Cigarro Mejicano published in “Almanaque Bour
songesoleil: Documents de bijouterie et orfèvrerie modernes, par Paul Follot. Henri Laurens,
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