Etching Gallery

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Conspiracy    -   Esa Riippa, 1984.Finnish,b.1947-Aquatint, Line etching, BFK Rives France tissue pa
Bernard Picart (1673-1733), ‘Hell’, from “Neueröffneter Musen-Tempel” by Zac
Trying to raise money to make new clothing that is eco friendly and fair trade, buy prints, books an
I did a four colour layer separation of one of my etchings so I could change the colours up. The new
Detail from recent work. Pushing to keep moving forward and build with good people right now.My solo
The Openings are tomorrow, just a reminder in case you wanted to see my new work at either  Open Stu
Showing my new work on Oct 21st in two weeks.You can see it at either my solo show at Open Studio in
cyclical feeling 
Endless Vibrations / Parallel Frequencies Work for Waking Gates, my residency exhibition at Open Stu
Top image: The Virtue of Stillness 24’‘x18’’ etching and watercolourBottom i
Peonies  -  Jane Freilicher  1990American, 1924–2014Colour etching w/aquatint, 29.5 x 22 in. (74.9 x
artist-cassatt:The Fitting, 1891, Mary CassattMedium: drypoint,etching
ladycashasatiger: Le Bon Genre, No. 73, L’Egoisme personnifié. Hand-coloured etching. c. 1815. Briti
scribe4haxan: When the Weary Moon is in the Wane (1894 - Hand etching & mezzotint) - Frank Short
artist-zorn: Cabin, 1917, Anders ZornMedium: etching,paper
igormag:Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 20
carnetimaginaire:Janis Goodman, Looping the loop (etching)
huariqueje: The snow lay round about    -    Jo Barry British, b. 1970-Hand colored etching
huariqueje:Cat   -   Väinö Rouvinen , 1995.Finnish, b.1932-Color etching and aquatint, 100/100, 17x1
The Ruins of Melrose Abbey (ca. 1848 - Mezzotint and etching) - Thomas Miles Richardson
artist-goya: The sleep of reason produces monsters, 1799, Francisco Goya Medium: aquatint,etching,pa
geritsel:Esa Riippa - Euroopan reuna (The Edge of Europe), color etching with aquatint
spacecamp1:Rex Ray, Lobaria I, 2014, Pigment print on Hahnemule Museum Etching, 350 gsm
igormag: Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 2
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