Grupa Ok Gallery
swimsuit-honeys
mmarrentona
Biker shorts
musette explosion
kamelonu
Iwao Yamawaki (Japanese, 1898–1987), Lunch, 12–2pm, 1931 — at the Bauhaus, Dessau (via grupaok).
grupaok:Thomas Ruff, Portrait: G. Benzenburg, 1985
grupaok:A crowd of visitors to Frederick Kiesler’s Raumstadt display, 1925
grupaok:Katharina Sieverding, Kontinentalkern XXV/86, 1986
grupaok:Giorgio Vasari, The Last Supper, 1543 — reassembled and restored in 2013 by the Opificio del
grupaok:Lynda Benglis installing Adhesive Products, Walker Art Center, 1971
grupaok:Carole Condé and Karl Beveridge, Signs, 1975: “INSTITUTIONS ENJOY CRITICISM AS LONG AS IT DO
grupaok:Lee Lozano, Untitled, 1969Julian Myers-Szupinska, “Artists and Workers,” Mousse 40, 2013That
grupaok:Exposition of paintings confiscated from the Budapest bourgeoisie in the Budapest Palace of
grupaok:Francisco Goya, The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday), 1814
grupaok:Martin Wong, Untitled (Dream Fungus), 1970 — P.P.O.W. GalleryMartin Wong: Painting is Forbid
grupaok:Robert Barry, Something which is very near in place and time, but not yet known to me, Febru
grupaok:Suzan Pitt, Asparagus, 1979 — animation still
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Otto Dix, Hugo Erfurth with Dog, 1926
grupaok:Anne Collier, Woman Crying #2, 2018
grupaok:Anne Collier, Woman Crying #2, 2018
grupaok:Robert Morris, Box for Standing, 1961
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok:Judith Miller, n2: Kneeling, 1972
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Edvard Munch, The Woman and the Bear, 1908-09. From Edward Gorey’s bequest to the Wadsworth
grupaok:Xanti Schawinsky, Danse Macabre, 1937; B/W photograph; 11.6 x 18.7 cm; Courtesy of the Xanti
grupaok:Nancy Graves, Vertebral Column with Skull and Pelvis, 1970
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