Grupa Ok Gallery
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bollywoodhqs
stateless1972
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i-am-always-amazed
grupaok:Filmmaker Shirley Clarke assembling television monitors for a dawn screening of the Tee Pee
grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011
grupaok: Moyra Davey, Trust Me (detail), 2011
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Toni Morrison, Sula, 1973, with late-1970s paperback cover art by illustrator Roger Kastel—w
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok: Francesca Woodman, Angels, Rome, 1977–78
grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection
grupaok: Paul Mpagi Sepuya, Self-portrait Study with Two Figures (1506), 2015
grupaok: Dalton Paula, João de Deus Nascimento, 2018
grupaok:Teresita Fernández, Fire (United States of the Americas), 2017
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok: Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confede
grupaok: Francesca Woodman, Untitled, Italy, 1977–78
grupaok:Carolee Schneemann, Up to and Including Her Limits, 1973–77
grupaok:Moki Karlsson Cherry and Neneh Cherry in their home in Gamla Stan, Stockholm, late 1960s
grupaok:Lee Krasner, Desert Moon, 1955
grupaok:Le Corbusier painting a mural at Eileen Gray’s E1027 House, 1939. In the buff, why not.
grupaok: Makoto Nakamura, Shiseido Nail Enamel advertisement, 1978: “The Drama of A Woman Begins at
grupaok: Moyra Davey, Trust Me (detail), 2011
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:John Divola, Dark Star, 2006
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