Italian Artists Gallery
cozymallowsqish
tin coins
binalovestheaudreyhepburn
friggared
riana mckeith
Gloria Pizzilli (Italian, b. 1983, Prato, Tuscany, Italy) - 1: The Nightmare 2: Interiora Mixed Me
Giovanni Lanfranco (Italian; 1582–1647)Elijah Receiving Bread from the Widow of ZarephathOil on canv
Giovanni Lanfranco (Italian; 1582–1647)The Prophet Elijah Awakened by an Angel in the DesertFrom an
Amos Nattini (1892-1985), “Emporium”, #326, 1922Source
Alberto Martini (1876-1954), “Emporium”, #116, 1904Source
Tiepolo, Jacob’s Dream, 1726-29️ ig: archiveofangels
John Singer SargentGiovanni Boldini (Italian; 1842 –1931)ca. 1890sOil on panelPrivate Collection
Hector Giacomelli (1822-1904), “L'illustration et les illustrateurs” by Emile Bayard, 18
Portrait of Emperor Rudolf IIMartino Rota (Italian; ca. 1520–1583)ca. late 1570s–before 1585Oil on c
Loputyn aka Unicorn Bunny aka Neoloputyn aka Jessica Cioffi (Italian, based Brescia, Italy) - From b
Andrea Pierini (1798-1858), ‘The Meeting of Dante and Beatrice in Purgatory’, 1853
land-of-birds-and-comics:some italian artists draw scrooge and their main goal is just making it abu
Luca Giordano (1634-1705), ‘St. Michael the Archangel and the Fallen Angels’, 1666
Giovanni Battista Zelotti (1526-1578), ‘Time, the Virtues, and Envy Freed by Evil’, 1553
Andrea Mantegna (1431-1506), ‘Triumph of the Virtues (also known as Minerva Expelling the Vice
Studies for Saint SebastianFederico Barocci (Italian; 1535–1612)ca. 1592–96Black chalk and charcoal,
Diogenes Lying Beside His Tub Holding Upa Lamp While a Youth Looks over the Top at HimGiacomo Piccin
Reclining PuttoGuercino (Italian; 1591–1666)1626–27Red chalk on paper The British Museum, London | ©
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
Hercules and the HydraGuercino (Italian; 1591–1666)Drawing in red chalkca. 1640s–50sThe British Muse
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
David (Study for a Painting)Guercino (Italian; 1591–1666)ca. 1636Pen and brown ink The British Museu
Orazio Samacchini (Italian; 1532–1577)Mercury Ordering Aeneas to Abandon Dido (detail)second half of
Cupid Restraining the Enraged Mars (study for a lost painting)Guercino (Italian; 1591–1666)ca. 1640P
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