Jacoblawrence Gallery

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The Swearing In No. 1, 1977, Jacob Lawrence
Vaudeville, 1951, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/vaudeville-1951
War Series: Beachhead, 1947, Jacob Lawrence
They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41, MoMA: Painting and Sculp
jacob-lawrence: Bar and Grill, 1941, Jacob Lawrence
The Shoemaker, 1945, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/the-shoemaker-1945
Child labor and a lack of education was one of the other reasons for people wishing to leave their h
Funeral Sermon, Jacob Lawrence, 1946, Brooklyn Museum: American ArtSize: Sheet: 29 3/8 x 21 1/8 in.
Harlem Street Scene, Jacob Lawrence, 1975, Brooklyn Museum: Contemporary ArtSize: Sheet: 30 7/16 x 2
The Library, 1960, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/the-library-1960
Taboo, 1963, Jacob Lawrence
In the North the Negro had better educational facilities, Jacob Lawrence, 1940-41, MoMA: Painting an
The Studio, 1977, Jacob Lawrencewww.wikiart.org/en/jacob-lawrence/the-studio-1977
The Builders, Jacob Lawrence, 1974, Brooklyn Museum: Contemporary ArtSize: Sheet: 34 x 25 &frac3
Among one of the last groups to leave the South was the Negro professional who was forced to follow
In many of the communities the Negro press was read continually because of its attitude and its enco
The migrants arrived in great numbers, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGift of
The March from the series The Life of Toussaint L'Ouverture, Jacob Lawrence, 1995, MoMA: Drawings an
No. 2, Main Control Panel, Nerve Center of Ship, 1944, Jacob Lawrence
In 1982, Jacob Lawrence (1917-2000) was commissioned to make eight paintings to accompany John Herse
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