Lt Musical Gallery
ghost-hype
bit yewtree
mygingers
james mountford
egokoro nao
A musical moment (1930s). Gregorio Sciltian (Italian-Armenian, 1900-1985). Oil on canvas. In the 193
barcarole:Autograph musical quotation of the opening nine bars of Bartók’s Allegro Barbaro, 1925.
Takis - Espace Musical (1981-82)
hamilton + chrissy teigen tweets
#circleofbookishfriends Musical March Challenge - March 22 - DesperadoDespereaux-do#sorry not sorry
Open Culture: “Maria Anna Mozart Was a Musical Prodigy Like Her Brother Wolfgang, So Why Did She Ge
crazyexedits:top 12 musical numbers from season one (as voted by my followers):↳ 2. settle for me -
theatregraphics:Tony Awards 2016 Nominations → Best Musical
dubiousculturalartifact:ohitsrainingagain:smithya1333:caroldanverts:high school musical (2006) // mi
#circleofbookishfriends Musical March Challenge - March 15 - Wanted Dead or Alive Pretty sure this d
Jan Tschichold, design for Penguin Scores, 1949. Typography set in Garamond, background patterns via
ancientpeoples:Set of musical instruments (flute, horn, sistrum, symbols)1st-2nd Century ADRoman(Sou
Last Thursday was cray because of Kelly but I also got to see Laurel Harris re-debut at the Gershwin
i saw this in chicago (2002) and all i could think of was
Antonio Barzaghi-Cattaneo (1834–1922), The Musical Accompaniment, Date unknown, Oil on canvas.
throughawindow:This is the “Musical Numbers” page from the Amélie Broadway playbill! It was sent to
ohmeohmya:Musical Theatre Mood Boards: Les Misérables (1985)“Do you hear the people sing?”
flowerghostjehan:i can’t believe i did thisLes MisérAbba - Replacing (almost) every les mis song for
br0adwaywh0vian:it’s my favourite musical.
Traditional Korean clothing, or hanbok (click to enlarge)
sunshien:destroy-the-art:zenyattaslaugh:sunshien:current mood is playing messenger between an ex-the
somehow-you-will:Kida-Tiana’s Animated People of Color WeekDay 4: Favorite moment / musical number↳
speciesbarocus:The Berkeley Musical Theory Manuscript. Details. [x]
Wild Rose (2018)Directed by Tom HarperCinematography by George Steel
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