Med Art Gallery

富澤商店 usui masumi luvknow misterjoeclerk tweak tweak
tealin:When you hear ‘dragon cavalry’, you think ‘soldiers riding on dragons instead of horses’.  Bu
Initial ‘B’ - Chansonnier de Zeghere van Male. Cambrai, Bibl. mun., ms. 0126, B f. 022v - vue 2
Abaddon and the locustsRevelation 9:7-11 ‘And the shapes of the locusts were like unto horses
Copy of David by Michelangelo, Piazza della Signoria, Florence, Italy
Tabriz Medallion Carpet, Persian, late 19th century, Saint Louis Art Museum: Islamic Arthttps://www.
artherbarium:Einar Jolin (1890-1976), Stilleben med orkidée, 1962
Julia Benz Gedanken Verloren, 2018 Oil, acrylic , ink on canvas
N0tisme aka Vu Tuan Anh (Ho Chi Minh City, Vietnam) - Addicted, 2012   Mixed Media
rabbitsGaston Phébus, Livre de la chasse, Paris 15th centuryBnF, Français 616, fol. 26v
Brandi Milne (American, b. 1970s, Anaheim, CA, USA) - What Is This Which Frightens You Witch?  Drawi
devside-art:quick doodle
Saint Matthias (?), Metropolitan Museum of Art: Medieval ArtGift of J. Pierpont Morgan, 1916Metropol
Inka EssenhighNew Flowers, 2018Enamel and spray paint on canvas
A lot of your songs so far have focused on love as mediated through the Internet and social media, b
Earring, Medieval ArtPurchase, 1895Metropolitan Museum of Art, New York, NYMedium: Gold, glass, and
Adoration of the magiRavenna, 526 ADphoto by Nina Aldin Thune
More WelterHitch sketches/concept art. I do a lot of mixed media through out the comic process. Stil
Combustinone BL7Alberto Burri
Earring, Metropolitan Museum of Art: Medieval ArtGift of J. Pierpont Morgan, 1917Metropolitan Museum
Pot, Metropolitan Museum of Art: Medieval ArtRogers Fund, 1925Metropolitan Museum of Art, New York,
ayhamjabr:Hope For The Future.Surreal Mixed Media Collage Art By Ayham Jabr.
ianbrooks:Quotable Arts by Evan Robertson / Obvious StateHigh quality giclée prints available at ets
Chris Odgers aka Sawhorse Books (British, b. 1977, Camborne, Cornwall, UK) - Flame Head for an Album
guccigoth:Two early NY art/media platforms cross-cut in an essay by Prof. Daniel R. Quiles
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