Néoclassicism Gallery

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Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
Jean-Léon Gérôme, Pollice Verso, 1872
Pyramus and Thisbe, Pierre Gautherot, 1799
Icarus and Daedalus, Charles Paul Landon, 1799
Perseus and Andromeda by Anton Raphael Mengs (1778)
Sketch for the painting Leonidas at Thermopylae by Jacques-Louis DavidFrench, c. 1814black chalk on
Cincinnatus Leaving the Plow to Make Laws at Rome, Juan Antonio Ribera, 1806
shevyvision:It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome,
Washington AllstonThe Stoning of St. Stephen Iron-gall ink and white chalk on dark brown laid paper,
Herbert James Draper, The Golden Fleece, 1904
arthistoryeveryday:Diana and Cupid by Pompeo Girolamo Batoni (1761)
The Combat of Mars and Minerva (1771) - Joseph-Benoit Suvee (1743-1807)The Children of Niobe Killed
The Vestal by workshop of Antonio Canova Italian, c. 1819-1823marble Metropolitan Museum of Art 
Courage, Anxiety and Despair: Watching The Battle (c. 1850) - James Sant CVO RA (1820 - 1916)
Elevation of the inside wall of the ruins of the castle and the events of the external details relat
Remains of the Temple of Neptune`s cell, Giovanni Battista Piranesiwww.wikiart.org/en/giovan
Split of the house aforesaid, Giovanni Battista Piranesi
Vedute di Roma, Giovanni Battista Piranesi
Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at
artist-benjamin-west:Choice of Hercules between Virtue and Pleasure, 1764, Benjamin WestMedium: oil,
The Roman antiquities, t. 1, Plate IV.Map of ancient Rome and Forma Urbis., 1756, Giovanni Battista
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thundere
Mercury, Giovanni Battista Piranesi
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome., 1756, Giovanni Battista Pi
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