Neoclassic Gallery
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Perseus and Andromeda, Anton Raphael Mengs, between 1773 and 1776
Milo of CrotonJoseph-Benoît Suvée (French, born Belgium; 1743–1807)1763 Oil on canvasGroeningemuseum
King Solomon Sacrificing to the Idols, Sébastien Bourdon (1616-1671)
Circle of Felice Giani (1758–1823)La Naissance de Bacchus
Jose de Madrazo y Agudo (Spanish, 1781-1859), French Cuirassier, ca.1813, Museo del Prado, Madrid
Self-Portrait, Jacques-Louis David, 1791
Beverly Lopez, Black Cherubs (II & III)
The Farewell of Hector and Andromache, Joseph-Marie Vien, 1786
john-william-godward:A Classical Beauty, 1913, John William GodwardMedium: oil,canvas
Alexander Runciman (British; 1736–1785)Perseus Arriving to Slay Medusa Etching, 1774 Yale Center for
shevyvision:It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome,
Washington AllstonThe Stoning of St. Stephen Iron-gall ink and white chalk on dark brown laid paper,
arthistoryeveryday:Diana and Cupid by Pompeo Girolamo Batoni (1761)
The Combat of Mars and Minerva (1771) - Joseph-Benoit Suvee (1743-1807)The Children of Niobe Killed
Courage, Anxiety and Despair: Watching The Battle (c. 1850) - James Sant CVO RA (1820 - 1916)
Elevation of the inside wall of the ruins of the castle and the events of the external details relat
Remains of the Temple of Neptune`s cell, Giovanni Battista Piranesiwww.wikiart.org/en/giovan
Split of the house aforesaid, Giovanni Battista Piranesi
Vedute di Roma, Giovanni Battista Piranesi
Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at
artist-benjamin-west:Choice of Hercules between Virtue and Pleasure, 1764, Benjamin WestMedium: oil,
The Roman antiquities, t. 1, Plate IV.Map of ancient Rome and Forma Urbis., 1756, Giovanni Battista
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thundere
Mercury, Giovanni Battista Piranesi
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