Orson Welles Gallery
mikatanthegoodgoddess
thepox
recuerdan
extremely important
smitts-ocs
John Huston, Orson Welles, and Peter Bogdanovich take a break on the set of The Other Side of the Wi
Image 1: Chinese telephone operators in 1930s Shanghai, from the Leo Arnoldov’s book, “C
boydswan: Everybody is somebody’s fool. The only way to stay out of trouble is to grow old…so I gues
avasgal: Dearest Angel Girl: …I suppose most of us are lonely in this big world, but we must fall
Jean Cocteau born on this dayThe poet is a liar who always speaks the truth.
ivy-and-twine:If you’re not obsessed with Eartha Kitt you’re doing it wrong. Orson Welles declared h
ClassicFilmFangirlingTag! Hello! My name is Carmen Figueras and I am Miriam’s mother. I congratulate
“I’ve never had a friend in my life who wanted to see a magic trick, you know. I don’t know an
The Kremlin Letter (1970)by John Huston
The Trial — dir. Orson Welles
thefilmstage:“We’re born alone, we live alone, we die alone. Only through our love and friendship ca
Orson WELLES in 1938 after his radio broadcast of War of the worlds , explaining to reporters his s
nostalgic-solitude7:F for Fake (Orson Welles,1973) Always yes.
Reminds me of Orson Welles’ superb self-deprecating line …. “my doctor told me to stop having
Publicity still of Orson Welles from the 1966 film Is Paris Burning?
Orson Welles & Rita Hayworth
asloversdrown: The Lady from Shanghai ////Orson Welles & Rita Hayworth [1947]
thisobscuredesireforbeauty: Touch of Evil (Dir. Orson Welles, 1958).
quatrocentosgolpes: The Lady from Shanghai (1947) - Orson Welles
wehadfacesthen: Marlene Dietrich in Touch of Evil (Orson Welles, 1958) when she was 57 years oldsou
steamboatbilljr: Orson Welles on the set of The Third Man (1949), photographed by Ernst Haas.
*orson welles voice* sekai de ichiban ohime-sama
barcarole: F for Fake, dir. Orson Welles, 1973.
rcmanholiday: Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for
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