Postmodern Gallery
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Piero Manzoni, Artist’s Shit, 1961.
Sol LeWitt, Straight Lines in Four Directions and All of Their Possible Combinations, 1973.
George Condo — Insulated Female Composition (oil on canvas, 1991)
Robert Venturi
blythe-ly:it’s a valid question
“The Guides of Light” by @alexvnderblvckScarlet Sage OnlineCampaign Spring 2020
Ernst Gamper, cover artwork for Yello, Claro Que Si, 1981. Edition with covers in green, red and yel
dennishopper:The Stinky Cheese Man and Other Fairly Stupid Tales, “a postmodern” childre
Post #150Double Shape Setting, sculpture by Esther Ruiz.Ganked from Kate over at Mirror80.
Post #1491989 house for sale - 9833 NW 9th Court, Plantation, Fla.Love the glass block, the matching
PASTEL STRATA, WEDGWOOD
Revue Das - Retroprospectiviste : ON STOCK !www.revuedas.com
Mario Botta, Secondo chair, 1982. For Alias, Italy. Photo: Aldo Ballo. Via Cooper Hewitt
Ettore Sottsass, Beverley Cabinet, 1981. Produced by Memphis, Milano. Source
Francis Bacon, Seated Figure, 1961.
The Sacred Twenty Eight: the Noble and Most Ancient Houses of Mulciber, Rosier and Malfoy. (3/3) The
The Sacred Twenty Eight: The Noble and Most Ancient House of Black Three sisters: Morgana, Morgause
Not every Black went to Slytherin. Not every Lestrange was a seccessionist. Not every Malfoy was a m
Blue phone is by Swatch, middle phone by Olivetti and phone at right is the Sottsass “Enorme&r
Robert Harvey Oshatz, STEVENS / HARNELL RESIDENCE Studio City, California - 1986
Arquitectonica, Suburban Residence, Cook County Illinois, 1987
From the top, left to right: Pleione Carrow and Flora Greengrass, on their wedding day, March 1
The truth behind the Highwayman’s Tale If those interested had bothered to ride along the
The Highwayman’s Tale Blood-red were his spurs i’ the golden noon; wine-red was
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