Production Drawing Gallery
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Model sheet, walk (or dance) action, and other production art relating to the Tex Avery character, R
talesfromweirdland:Ray Harryhausen drawings for the 1966 fantasy movie, One Million Years B.C., star
Animation drawing of Mickey Mouse and Pete. By Ub Iwerks, who created Mickey Mouse along with Walt D
Animation art from the 1954 MGM cartoon, THE FLEA CIRCUS. In it, the fleas run away to join a dog. T
Model sheets for Hanna-Barbera’s 1962 cartoon, The Jetsons: George, his boy Elroy, daughter Judy, Ja
Masters of the Universe concept art: He-Man, Man-at-Arms, Skeletor, Beast Man (three versions), “Bir
talesfromweirdland:Model sheets for (and some sample images from) Hanna-Barbera’s Godzilla cartoon,
Form: Josef Hoffmann, Decor: Mathilde Flögl, production Wiener WerkstätteGouache on paper, 1929 / Re
The importance of drawing, by Richard Sylbert “When I began working in the industry, you made all th
Production art from various ads made by UPA. UPA animation was perfect for TV ads, as it could be p
talesfromweirdland:Jim Henson’s design sketches for Sesame Street regulars, Bert and Ernie. He had t
the-disney-elite: There’s a beautiful delicacy to Robert Stokes’ original production drawings for th
the-disney-elite: Original production drawings of the Fairies from the Nutcracker Suite segment of
Production drawings from the 1937 Disney short, Don Donald.The cartoon introduced a love interest fo
talesfromweirdland:Concept drawing of THE CREATURE FROM THE BLACK LAGOON (1954) by Bud Westmore.
weirdlandtv:Design sketches (and a model sheet) for Hanna-Barbera’s Yogi Bear. The character debute
Design sketches (and a model sheet) for Hanna-Barbera’s Yogi Bear. The character debuted in 1958 in
talesfromweirdland:Design sketches (and a model sheet) for Hanna-Barbera’s Yogi Bear. The character
Production art for various Looney Tunes cartoons by animation legend, Chuck Jones.
Lumiere Production Drawing
draculasdaughter: Concept drawings by Production Designer Hermann Warm for The Cabinet of Dr. Caliga
Setting the scene: from the drawing board to the screen, the great T. Rex segment from Disney’
Model sheets for the 1939 Disney short, The Ugly Duckling. It won an Oscar, and was the last of the
How to draw Homer Simpson: head, arms, hands, feet, and, eh, eyeballs. Model sheets and action poses
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