Thomas Eakins Gallery

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Thomas Eakins making an appearance in his own photograph (the clothed figure on the left), with an u
Another of the early outdoor photography by Thomas Eakins, the second I’ve posted from thi
whateverisrealised: Thomas Eakins (American, 1844 - 1916) - Seated Nude Man (Duckett); Nude Mod
John Wright posing for George Reynoldsin the studio of Thomas Eakins, Philadelphia, late 19th Centur
Another photograph from Thomas Eakins’ painting studio in Pennsylvania, c1884 - akin to this i
MWW Artwork of the Day (4/11/16)Thomas Eakins (American, 1844-1916)John Biglin in a Single Cell I (c
vintagehandsomemen: Study photo from the Thomas Eakins studio, late 1800s. Not the finest clarity
Thomas Eakins’ art students enjoying a tug-of-war, I wonder which was the winning side? The sa
Photographed by Thomas Eakins circa 1883, this may or may not be from the same set as the other male
Finding familiar chaps in these old photographs is always a delight, here we see strapping young spo
Despite being of poor quality, this is nevertheless an interesting addition to the collection, a thi
Thomas Eakins and John Laurie Wallace pose nude by the shoreline circa 1883 - a lovely and much less
A second photograph of artist Thomas Eakins posing nude before his own camera in this leafy setting
Arcadia, Thomas Eakins, c. 1883
George Reynolds, student of Thomas Eakins, photographed in motion with multiple exposures of a Marey
A second, less well-known photograph from this studio shoot by Thomas Eakins, I recognised the model
An extraordinary and fascinating photographic work here, by Thomas Eakins, captured with a similar t
Thomas Eakins (left) and John Laurie Wallace, 1883. Pleasantly ordinary-looking gentlemen, both - no
Two of Thomas Eakins’ art students boxing, while their laid-back companions look on. 1883.
A third from Thomas Eakins’ 1883 outdoor photography session with his art students, the others
A trio of anatomical studies by Thomas Eakins, circa 1885, his model photographed standing square an
With softly faded edges adding an atmospheric hazy quality, and a bright overhead light which draws
It has been a while indeed since I last brought you one of Thomas Eakins’ reference photog
J. Laurie Wallace (right) and an unidentified model, posing for Thomas Eakins in 1883 - another refe
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