Typog Gallery

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Amy Lowell, from ‘Absence’
Typeface “Macdonald”, 1825. Woodcut. Unknown artist. From Graphis. Source
fuckyeahannecarson:– Mary Ruefle, “Remarks on Letters”
salemwitchtrials:‘Agamemnon,’ Aeschylus (translated by Anne Carson)
Anne Carson, “The Glass Essay”  |  Louise Glück , “Averno”
Vladimir Nabokov, letter to his wife Véra (1926), Letters to Véra (ed. Brian Boyd & trans. Olga
Walt Whitman, ‘When I heard at the Close of Day’, Leaves of Grass[Text ID: “And that night, while al
Josef Albers, Kombinations-Schrift, Bauhaus Lettering Set, 1926-31. Milk glass and painted wood.
accras:RIP Toni Morrison, Feb. 18, 1931-Aug. 5, 2019
Gaming and Toon calligrams (typography art) by Josh Mirman!More can be found at www.joshmirman.com
I made an Instagram page! Excited to see how this turns out (:
EXOTICnot really happy with this one but i hope yall still like it!- please DO NOT repost without pe
Conrado Walter Massaguer, illustration for Hotel Lincoln flyer, 1927. Havana, Cuba. Via Wolfsonian.
Exhibition poster Who is the Victor, Gallery of Fine Art in Ostrava, CZ
My latest logo design for @jessicaarzatediaz’s brand new business, @flourchildbakingcompany! Such a
The Bitter End at Ballhaus Ost – found in Prenzlauer Berg
Dubonnet. 1933. A. M. Cassandre.Each: 11 5/8 x 15 in./29.5 x 38 cmCassandre’s most popular and endur
Cassandre, Publicité – Portfolio about publicity and typography, 1929. Éditions d Art Charles Moreau
Poster, Divisumma, 1953designed by Herbert Bayer and made for (as the client)
Program for the 1985 Venice Architecture Biennale, authored by Aldo Rossi. Image ASAC. Via domusweb
Grand Sport. 1925. A. M. Cassandre.23 ¾ x 31 ½ in./60.3 x 80 cm“Clothes make the
The only acceptable ice
the-two-germanys:The Mysteries of All Nations: Rise & progress of superstition, laws against &am
Ilya Kaminsky, ‘Dancing in Odessa’, Dancing in Odessa[Text ID: “It was April. The sun washed the bal
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