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wehadfacesthen:Teatro Imperio in Lisbon, Portugal, designed by Cassiano Branco, 1930′s
wehadfacesthen: Marlon Brando, 1950, photo by Art Shay
wehadfacesthen:Greta Garbo as Camille (1936)
wehadfacesthen: Marilyn Monroe, 1956 “Fame is like caviar, you know — it’s good to have caviar but n
wehadfacesthen:Troop Train, 1944, a photo by Allan Grant
wehadfacesthen:Model Evelyn Tripp photographed in 1948 by Lillian Bassman for Harper’s Bazaar
wehadfacesthen:A photo by Erik Holmén, Stockholm, 1949
wehadfacesthen:James Dean during the filming of Giant, 1955
wehadfacesthen: Alain Delon, photo by John Barrington, London, 1959
wehadfacesthen:Marlene Dietrich and Robert Donat having tea at the start of filming Knight Without A
wehadfacesthen:Lauren Bacall and Humphrey Bogart at their home in Benedict Canyon, 1954“The remarkab
wehadfacesthen:Robert Donat in The 39 Steps (Alfred Hitchcock, 1935)
wehadfacesthen:Katharine Hepburn in Morning Glory (Lowell Sherman, 1933), her first Oscar-winning p
wehadfacesthen:Ramon Novarro in costume for the silent adventure film Scaramouche, 1923
wehadfacesthen:Joan Crawford in Possessed (Curtis Bernhardt, 1947)via ohrobbybaby
aerialsquid:wehadfacesthen:William Holden in Sunset Boulevard (Billy Wilder, 1950)My life story.
wehadfacesthen:Sidney Poitier, 1960“I was the only Black person on the set. It was unusual for me to
wehadfacesthen:Ramon Novarro in costume for the silent adventure film Scaramouche, 1923
wehadfacesthen:Mary Astor (top), late 1930′s, and Olivia de Havilland, early 1940′s
wehadfacesthen:King Kong (Merian C. Cooper, 1933)gif first posted by vintagegeekculture
wehadfacesthen:Bette Davis as Mildred Rogers in Of Human Bondage (John Cromwell, 1934)One more Osca
wehadfacesthen:Native American ballerinas Maria Tallchief (front) and her sister Marjorie Tallchief
wehadfacesthen:Wilbur Wright, 1943, a photo by George Platt Lynesvia krisvanassche
wehadfacesthen:Ginger Rogers, 1934
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