Weh.... Gallery
nepali art
apocaylpse
everydayover50
cosplayrant
migrant farmworkers
wehadfacesthen: Joyzelle Joyner and Elissa Landi in The Sign of the Cross (Cecil B DeMille, 1932)
wehadfacesthen:Veronica Lake, 1941
wehadfacesthen:Gary Cooper, 1929
wehadfacesthen: Hedy Lamarr, 1941
wehadfacesthen: Katharine Hepburn, 1939
wehadfacesthen: bleedhoney: Joan Crawford in ‘Dancing Lady’ 1933. And Clark Gable
wehadfacesthen:Alain Delon, 1963
wehadfacesthen: The Brox Sisters, vaudeville and film entertainers, in a 1923 G.G. Bain photo
wehadfacesthen: Lauren Bacall photographed in Helena Rubenstein’s bathroom by Louise Dahl-Wolfe, New
wehadfacesthen: Marilyn Monroe, photo by Milton Greene, Connecticut, 1955
wehadfacesthen: Myrna Loy, 1933
wehadfacesthen: Jean Marais, 1938, in a photo by Raymond Voinquel
wehadfacesthen: fuckyeahhotclassicleadingmen: Best Kiss *Ever* Jean Arthur and Joel McCrea in The Mo
wehadfacesthen: Marlon Brando in a publicity photo for Guys and Dolls, 1955
wehadfacesthen: Errol Flynn as the Earl of Essex in The Private Lives of Elizabeth and Essex (Micha
wehadfacesthen: Kim Novak in the dining car of the Super Chief being ogled by male diners, 1956, LIF
wehadfacesthen: Joyzelle Joyner as “Ancaria” in The Sign of the Cross (Cecil B DeMille, 1932)
wehadfacesthen: Anna May Wong as Shosho in Piccadilly (E.A. Dupont, 1929)
wehadfacesthen: dancingmonsters: Julie Andrews and Mary Tyler Moore rehearse for Thoroughly Modern M
wehadfacesthen:A photo by Norman Parkinson for the editorial “More Taste Than Money” in British Vogu
wehadfacesthen: Remembering Loretta Young on her birthday (6 January 1913 – 12 August 2000) “I be
wehadfacesthen:Janet Gaynor, 1925
wehadfacesthen:Leslie Howard in a 1932 portrait by Edward Steichen
wehadfacesthen: Myrna Loy, 1932 “They say the movies should be more like life; I think life should b
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