Weh.... Gallery
dominic howard
fumetti
thedarkmatteralchemist
jayburr
lacelingerie
wehadfacesthen:Ginger Rogers and Fred Astaire in Flying Down to Rio (Thornton Freeland, 1933)
wehadfacesthen: Montgomery Clift photographed during the filming of Red River (Howard Hawks, 1948)
wehadfacesthen:Ingrid Bergman, 1944“I was the shyest human ever invented, but I had a lion inside me
wehadfacesthen:French artist/writer/filmmaker Jean Cocteau and his lover actor Jean Marais, Paris, 1
wehadfacesthen:Marlene Dietrich, 1932
wehadfacesthen:Elvis Presley, 1956, photo by Alfred Wertheimer
wehadfacesthen:Myrna Loy, 25 years old, 1930. By that year she’d already appeared in 41 films, thoug
wehadfacesthen:James Dean and his cat Marcus, New York, 1954
wehadfacesthen:Anna May Wong as Princess Taou Yuen in Java Head (Thorold Dickinson, 1934).
wehadfacesthen:maria-magnolia2:Gregory Peck - Ingrid BergmanGregory Peck and Ingrid Bergman in Spell
wehadfacesthen:Silent film star Pola Negri at the Café de la Paix, Paris, 1927, photo by Burton Holm
wehadfacesthen:Eartha Kitt backstage, 1959
wehadfacesthen:Rita Hayworth, c.1948 “Movies were much better in the days I was doing them.” - inte
wehadfacesthen:Paris, 1954, photo by Sabine Weiss
wehadfacesthen:Bettina Graziani wears a suit by Hubert de Givenchy in a photo by Georges Dambier for
wehadfacesthen:Double exposure of Lincoln Kirstein, left and right profiles, 1930-1, photo by Walker
wehadfacesthen:The Rev. Dr. Martin Luther King Jr leads a kneeling protest in Selma, Alabama, 1965
wehadfacesthen:Anna May Wong, London, 1931, photo by Nickolas Muray
wehadfacesthen:Have always loved this photo of Myrna Loy from the early 1930′s
wehadfacesthen:Myrna Loy, 1938
wehadfacesthen:Ingrid Bergman and Gregory Peck in Spellbound (Alfred Hitchcock, 1945)
wehadfacesthen:Zizi Jeanmaire, Paris, 1958. She was a French ballet dancer who also appeared in seve
wehadfacesthen:Rest in peace, Christopher Plummer, whose seventy year stage, film and television car
wehadfacesthen:New York at Night (Automat), a 1940 photo by Andres Feininger
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