*facepalm*

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elijasteffensrunawaytelemannheather-petbuckleys

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LIVE

The Ascent (Larisa Shepitko, 1977) 

Making an american citizen (Alice Guy, 1912)

The electric house (Buster Keaton, Eddie Cline, 1922)

One-eyed Jacks (Marlon Brando, 1961)

Non si sevizia un paperino (Lucio Fulci, 1972)

Las distancias (Elena Trapé, 2018)

Grass (Hong Sang-soo, 2018) 

There’s Always Tomorrow (Douglas Sirk, 1956)

The Devils, the Devils (Dorota Kędzierzawska, 1991)

House by the River (Fritz Lang, 1950) 

Hable con ella (Pedro Almodóvar, 2002) 

The House on Trubnaya (Boris Barnet, 1928) 

The Neighbor’s Wife and Mine (Heinosuke Gosho, 1931)

Lost highway (David Lynch, 1997)

Berg-Ejvind och hans hustru (Victor Sjöström, 1918)

Happiest season (Clea Duvall, 2020)

Charly (Isild Le Besco, 2007)

Amator (Krzysztof Kieślowski, 1979)

Yesterday (Danny Boyle, 2019)

The Man from Colorado (Henry Levin, 1949)

Slap shot (George Roy Hill, 1977)

In name only (John Cromwell, 1939)

Ashes and Diamonds (Andrzej Wajda, 1958)

Passion (Jean-Luc Godard, 1982) 

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