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» François Boucher (1703 - 1770)The Triumph of VenusThe Brunette OdalisqueVenus Consoling LoveMadame
Le pasteur galant = The Gallant ShepherdFrançois Boucher (French; 1703–1770)1738Oil on canvasHôtel d
The final piece- @grimdolly looking completely adorable wearing her bespoke c.1770 Judith, made to h
kecobe:François Boucher (French; 1703–1770)The Fountain of Love1748Oil on canvasJ. Paul Getty Museum
via-appia:Fountain of Venus, 1756François Boucher (1703 - 1770)
sforzinda: Abraham and the Three Angels (detail), Giambattista Tiepolo, ca. 1770
thevintagethimble:Court GownC. 1770’s. Fine white Indian muslin with silver metal embroidery, the ro
La Sainte Famille = The Holy FamilyFrançois Boucher (French; 1703–1770)1748Oil on copperPrivate coll
Bacchus and AriadneGiovanni Battista Tiepolo (Italian; 1696–1770)ca. 1743–45Oil on canvasNational Ga
Idyllic Landscape with Woman FishingFrançois Boucher (French; 1703–1770)1761Oil on canvasIndianapoli
View of Tivoli with the Temple of VestaFrançois Boucher (French; 1703–1770)ca. 1749Oil on canvasNati
omgthatdress:Chintz Waistcoat1770-1790The Metropolitan Museum of Art
Soga Shōhaku (Japanese; 1730–1781)Eight Views of the Xiao and Xiang Rivers ca. 1770 Ink and gold on
Women with a Yo-yo, ca. 1770. Mughal Empire
artist-joseph-wright: Two Boys Fighting over a Bladder, 1770, Joseph WrightMedium: oil,canvas
Abraham and the Three AngelsGiovanniBattista Tiepolo (Italian; 1696–1770)ca. 1770Oil on canvasMuseo
george-romney: Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham, 1795, George Romneyhttp
The Attack of the TurtleA man of scientific vision, in the early 1770’s David Bushnell was onl
Portrait of a woman, possibly Miss Nettlethorpe by Henry Walton, c. 1770
It’s Fashion Friday! Enjoy the headwear in this 1770 portrait of Elizabeth, Duchess of Argyll.
The Triumph of Venus (detail)François Boucher (French; 1703–1770)1740Oil on canvasNationalmuseum, St
Mars & Venus: Allegory of Peace by Louis-Jean-François Lagrenée (1770)
Apollonio Domenichini (1715 - 1770)Elegant figures in the Piazetta, Venice, looking south with a vie
jaded-mandarin:Francesco Malagoli. Detail from Vine Leaves, 1770.
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