1770s

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bowpeachcornelia chapin이다helen ballentinetomoaki maeno

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Mr. and Mrs. John Custance (A Gentleman and Lady, Painted in Commemoration of Their Marriage)Benjami

Alexander Roslin (Swedish; 1718–1793)John Jennings, Esq., his Brother, and His Sister-in-LawOil on c

SleepJean Bernard Restout (French; 1732–1797)ca. 1771Oil on canvasThe Cleveland Museum of Art, Cleve

Francis Basset, I Baron of DunstanvillePompeo Batoni (Italian; 1708–1787)1778Oil on canvasMuseo Naci

Mr. and Mrs. John Custance (A Gentleman and Lady, Painted in Commemoration of Their Marriage) [detai

Portrait of a woman, possibly Miss Nettlethorpe by Henry Walton, c. 1770

View of the Eruption of Mount Vesuvius, Pierre-Jacques Volaire, 1770s

Joseph-Benoît Suvée (French, born Belgium; 1743–1807)The Predication of Saint PaulOil on canvas, ca.

An AcademyJohn Hamilton Mortimer (British; 1740–1779)ca. 1773Graphite on moderately thick, slightly

galleryofunknowns:Pompeo Batoni (b.1708 - d.1787), ‘Portrait of a Gentleman’, oil on canvas, c.1770s

The Adoration of the ShepherdsAnton Raphael Mengs (German; 1728–1779)1770Oil on oak panel Museo Naci

Group in an interior by Johann Eleazar Zeissig, also known as Schenau, 1773

Charlotte of Mecklenburg-Strelitz, queen of Great Britain and Ireland, in an official portrait paint

Augustin Pajou, Bust of Madame du Barry 1773 Marble, height 60 cm Musée du Louvre, Paris

artschoolglasses:The Love Letter, Jean Honore Fragonard, 1770s

Johann Zoffani, Portrait of Ann Brown in the Role of Miranda, 1770

The Drawing LessonFrançois-André Vincent (French; 1746–1816)1777Brush and brown

“The Game of blind man’s buff ” by Noël Hallé, 1770

Three versions of Marie-Antoinette’s portrait by Jean-Baptiste Charpentier le Vieuxafter J

John MustersSir Joshua Reynolds (British; 1723–1792)1777–ca. 1780 Oil on canvasNational

Elegant interior with man sitting in armchair in front of the fireplace, with his wife on his knees,

Sir Joshua Reynolds (British; 1723–1792)Lady Elizabeth Delmé and Her Children1777&ndash

18thcenturyfop: Waistcoat 1770–1780 Bequest of Richard Cranch Greenleaf in memory of his mot

ephemeral-elegance: Robe a l’Anglaise and Shoe Ensemble, ca. 1775 via The Met

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