1802

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laclygrantham:Pergola with Oranges, c. 1834, Thomas Fearnley(Norwegian, 1802-1842)

laclygrantham: Pergola with Oranges,c. 1834,Thomas Fearnley (Norwegian, 1802-1842)

laclygrantham:Pergola with Oranges, c. 1834, Thomas Fearnley (Norwegian, 1802-1842)

laclygrantham:Pergola with Oranges, c. 1834, Thomas Fearnley (Norwegian, 1802-1842)

dappledwithshadow: Thomas Fearnley (Norwegian, 1802-1842)

Jan Nepomucen Głowacki 1802-1847

hadrian6: Cupid Kindling the Torch of Hymen.  1831. George Rennie. British 1802-1860. marble. http:

cma-photography-department: Alexandre Dumas père (1802-1870), Nadar, 1855, Cleveland Museum of Art:

Sir Edwin Henry Landseer (1802-1873)

die-rosastrasse: Edwin Henry Landseer British, 1802-1873 Scene from A Midsummer Night’s Dream (detai

animals-in-art: Sir Edwin Henry Landseer (English, 1802-1873) - Scene from A Midsummer Night’s

die-rosastrasse:Edwin Henry LandseerBritish, 1802-1873Scene from A Midsummer Night’s Dream (de

 Mountainous Landscape, 1869.Francois Diday (Swiss, 1802-1877)  

François Diday (Swiss,  1802-1877) The Giessbach Waterfall, 1867Oil on canvas

amare-habeo:François Diday (Swiss,  1802-1877) The Giessbach Waterfall, 1867Oil on

amare-habeo: François Diday (Swiss,  1802-1877) The Giessbach Waterfall, 1867Oil on

vivalcli:Venice, a View of the Grand Canal (detail), Carlo Grubacs (Italian, 1802-1878)

hadrian6:Achilles. 1832.Emil Wolff. German 1802-1879. marble. Hermitage Museum. St.Petersburg. Russi

life-imitates-art-far-more:Emil Wolff (1802-1879)“Die Nacht” (“The Night”) (1830)Marble

life-imitates-art-far-more:Emil Wolff (1802-1879)“Die Nacht” (“The Night”) (1830)Marble

lilit69:Félix Jacques Antoine MOULIN (1802-1879)

hildegardavon: Emil Wolff, 1802-1879 Diana resting after hunting, n/d, marble, 150 cm Her

chrestomatheia:Henri-Frédéric Schopin (1802-1880), Achilles pursued by the river god Xanthus.

Ossian (1842). Johann Michael Wittmer (German, 1802-1880). Oil on canvas. Royal Collection Trust.Oss

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