1819.
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The First Pipe, 1860 by William Hemsley (English, 1819–1893)
The First Pipe, 1860 by William Hemsley (English, 1819–1893)
onepainting:Agnes MartinMorning 1965 Acrylic paint and graphite on canvas 1826 x 1819 mmGrid as auto
onepainting:Agnes MartinMorning 1965 Acrylic paint and graphite on canvas 1826 x 1819 mmGrid as auto
flyartproductions:Achilles thinks these brothas blocking his shineThe anger of Achilles (1819), Jacq
flyartproductions:Achilles thinks these brothas blocking his shineThe anger of Achilles (1819), Jacq
w-hitefawn:Hummingbird and Apple BlossomsMartin Johnson Heade (1819–1904)(details)
w-hitefawn:Hummingbird and Apple BlossomsMartin Johnson Heade (1819–1904)(details)
absurdlakefront:The Earth (The Fight Between Hercules and Antaeus)Louis Charles Auguste Couder, 1819
absurdlakefront:The Earth (The Fight Between Hercules and Antaeus)Louis Charles Auguste Couder, 1819
arthappens:The Raft of the Medusa (French: Le Radeau de la Méduse) is an oil painting of 1818–1819 b
arthappens:The Raft of the Medusa (French: Le Radeau de la Méduse) is an oil painting of 1818–1819 b
Jean-Auguste-Dominique Ingres, Niccolo Paganini, 1819, graphite on paper.Ingres was one of the first
Jean-Auguste-Dominique Ingres, Niccolo Paganini, 1819, graphite on paper.Ingres was one of the first
Reclining Naiad. Antonio Canova. 1819–24. (Completed after Canova’s death).
Reclining Naiad. Antonio Canova. 1819–24. (Completed after Canova’s death).
artist-friedrich:Monastery ruins in the snow, 1819, Caspar David Friedrichhttps://www.wikiart.org/en
artist-friedrich:Monastery ruins in the snow, 1819, Caspar David Friedrichhttps://www.wikiart.org/en
artist-friedrich:Monastery ruins in the snow, 1819, Caspar David Friedrich
artist-friedrich:Monastery ruins in the snow, 1819, Caspar David Friedrich
artist-charles-turner:Edmund Pollexfen Bastard, 1819, Charles Turnerhttps://www.wikiart.org/en/charl
artist-charles-turner:Edmund Pollexfen Bastard, 1819, Charles Turnerhttps://www.wikiart.org/en/charl
history-of-fashion:1819 Michel Martin Drolling - Portrait of an Artist(Chimei Museum)
history-of-fashion:1819 Michel Martin Drolling - Portrait of an Artist(Chimei Museum)
Arco Naturale of Palinuro Spiaggia Degli Infredi, August Wilhelm Leu (German, 1819 - 1897)
Arco Naturale of Palinuro Spiaggia Degli Infredi, August Wilhelm Leu (German, 1819 - 1897)
greuze:Circle of Jacques-Louis David, The Poetess Sappho (Detail), 1819
greuze:Circle of Jacques-Louis David, The Poetess Sappho (Detail), 1819
pinkballerinas:Love letter from John Keats to Fanny Brawne, October 1819“I could be martyr’d for my
pinkballerinas:Love letter from John Keats to Fanny Brawne, October 1819“I could be martyr’d for my
Self-Portrait, 1819 by Jean-Louis André Théodore Géricault (French, 1791–1824)
Self-Portrait, 1819 by Jean-Louis André Théodore Géricault (French, 1791–1824)
Theodore Chasseriau (French, Samana Province, Dominican Republic 1819 - 1856 Paris), Susana and the
Theodore Chasseriau (French, Samana Province, Dominican Republic 1819 - 1856 Paris), Susana and the
August Wilhelm Leu (1819–1897)Mountain landscape, 1857
August Wilhelm Leu (1819–1897)Mountain landscape, 1857
denisforkas:Ernst Ferdinand Oehme - Cathedral in Winter (1819)
denisforkas:Ernst Ferdinand Oehme - Cathedral in Winter (1819)
deadsunflower:Joseph Mallord William Turner, San Giorgio Maggiore at dawn (1819). Watercolour, 22.4
deadsunflower:Joseph Mallord William Turner, San Giorgio Maggiore at dawn (1819). Watercolour, 22.4
crimsonkismet:Venus Italica by Antonio Canova (1819)
crimsonkismet:Venus Italica by Antonio Canova (1819)
America’s First Breechloader — The Hall 1819 Rifle.Invented in 1811, and produced in the
America’s First Breechloader — The Hall 1819 Rifle.Invented in 1811, and produced in the
pinkballerinas:Love letter from John Keats to Fanny Brawne, October 1819“I could be martyr’d for my
pinkballerinas:Love letter from John Keats to Fanny Brawne, October 1819“I could be martyr’d for my
Holograph of Keats’s ‘Ode to a Nightingale’ (May 1819).
Holograph of Keats’s ‘Ode to a Nightingale’ (May 1819).
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