1849
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laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
Architectural Study: Palazzo Dandolo, John Ruskin, 1849, Harvard Art Museums: DrawingsHarvard Art Mu
Architectural Study: Palazzo Dandolo, John Ruskin, 1849, Harvard Art Museums: DrawingsHarvard Art Mu
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
huariqueje:Moonrise    -   Józef Chełmoński, 1888.Polish, 1849–1914oil o
huariqueje:Moonrise    -   Józef Chełmoński, 1888.Polish, 1849–1914oil o
huariqueje:Moonrise    -   Józef Chełmoński, 1888.Polish, 1849–1914oil o
huariqueje:Moonrise    -   Józef Chełmoński, 1888.Polish, 1849–1914oil o
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
A Golden Thread, exh. 1885 by John Melhuish Strudwick (English, 1849–1937)
A Golden Thread, exh. 1885 by John Melhuish Strudwick (English, 1849–1937)
Green weevil, native to Southeast Asia. Natural history of the insects of China. 1849.Internet
Green weevil, native to Southeast Asia. Natural history of the insects of China. 1849.Internet
catonhottinroof:William Etty (1787 - 1849) Mythological scenery with nymphs in golden light amo
catonhottinroof:William Etty (1787 - 1849) Mythological scenery with nymphs in golden light amo
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
laserrenissima:Venice, c. 1877. William Merritt Chase (American, 1849–1916)
heaveninawildflower:Needlework sampler (Mexico, 1849).Cotton, cut and drawn work embroidered with si
heaveninawildflower:Needlework sampler (Mexico, 1849).Cotton, cut and drawn work embroidered with si
michaelmoonsbookshop:The Preacher - Owen Jones beautiful deeply embossed wooden covers 1849
michaelmoonsbookshop:The Preacher - Owen Jones beautiful deeply embossed wooden covers 1849
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
ladyartemisia28: shittydinosaurdrawings: it was 1849. Thank you SO much for that addition. It would
Morning at Sea, Aivazovsky (1849) |  Lonely Hunter, Foals (2015)
Morning at Sea, Aivazovsky (1849) |  Lonely Hunter, Foals (2015)
bootythecutie: Masters practise using Paul Antoine de la Boulaye (1849 - 1926) - Salomé,
bootythecutie: Masters practise using Paul Antoine de la Boulaye (1849 - 1926) - Salomé,
sumi-no-neko:葛飾 北斎  Katsushika Hokusai (1760 - 1849)Blue flower blossom and bud at the end of a
sumi-no-neko:葛飾 北斎  Katsushika Hokusai (1760 - 1849)Blue flower blossom and bud at the end of a
stonethrowingdevil: shittydinosaurdrawings: it was 1849. It’s me!
stonethrowingdevil: shittydinosaurdrawings: it was 1849. It’s me!
scentofblackart:Katsushika Hokusai (1760~1849) 1. Tea Ceremony 2. Susaki3. Courtesan and guests4. P
scentofblackart:Katsushika Hokusai (1760~1849) 1. Tea Ceremony 2. Susaki3. Courtesan and guests4. P
Carmencita (1890). William Merritt Chase (American, 1849–1916). Oil on canvas. MMOA.
Carmencita (1890). William Merritt Chase (American, 1849–1916). Oil on canvas. MMOA.
Katsushika Hokusai (1760–1849)
Katsushika Hokusai (1760–1849)
Rosa Bonheur, Plowing in the Nivernais (1849)
Rosa Bonheur, Plowing in the Nivernais (1849)
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