1932

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ビジネスマンcat inside준다큰일문제

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LIVE

lungs-: gatakka: Pablo Picasso - Femme Nue Couchée (Marie-Thérèse), 1932. i saw this in person and i

perfectmistake13: Ginger Rogers in 1932’s Hollywood on Parade.

antipahtico: Barbara Stanwyck & George Brent ~ The Purchase Price (1932)

antipahtico: Brigitte Helm & Pierre Blanchar ~ L’Atlantide (1932)

misstanwyck: Carole Lombard and Clark Gable in No Man of Her Own, 1932

hotelvertigo: BLOND VENUS 1932 HERBERT MARSCHALL AND MARLENE DIETRICH

lauramcphee:Clara Bow, Call Her Savage, 1932 (Fox)

antipahtico: Marlene Dietrich 1932

tiredtangerine: Sylvia Sidney in Merrily We Go to Hell (1932)

lanaturnerhascollapsed: Motion Picture, January 1932

summers-in-hollywood: Joan Crawford for Rain, 1932

don56: Cary Grant and Carole Lombard in “Sinners in the Sun” (1932)

Norman Bel Geddes, Horizons, 1932. Little, Brown & co, Boston. Bel Geddes was a Broadway stage d

thisobscuredesireforbeauty: Lillian Gish photographed by Edward Steichen for ‘Vanity Fair’ , 1932.So

clarabowlover: Tallulah Bankhead - Faithless (1932)

decoseeker: From the pages of Le Sourire magazine 1932

zinaida-serebriakova: Morocco. Sefrou. The roofs of the city, 1932, Zinaida Serebriakova

fawnvelveteen: Marlene Dietrich, 1932

pickurselfup: Jean Harlow in Three Wise Girls, 1932 That’s swell.

pre-codes: Jean Harlow and Clark Gable in Victor Fleming’s Red Dust, 1932.

fawnvelveteen: Portrait of Anna May Wong by Otto Dyar, 1932

antipahtico: Fredric March & Norma Shearer ~ Smilin’ Through (1932)

diaryofhorror: Vampyr - Carl Theodor Dreyer 1932

nitratediva: Ann Dvorak in Scarface (1932).

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