1934

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thrashershandpoke tattoosmalaika mihamboscott-the-charmingaztec fantasy

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noirchrome:retrofutureground:nitescence:tiré de l’hippocampe; jean painlevé, 1934.

Bathers on the Beach, Giorgio de Chirico, 1934. #giorgiodechirico #bathersonthebeach #1934 #1930s #p

joeinct:Gaspe Peninsula, Quebec, Photo by B. Anthony Stewart, 1934

oldfilmsflicker:Zouzou, 1934 (dir. Marc Allégret)

Mario Schifano (Italian, 1934–1998), Al mare, 1965, 60 x 60 cm

shihlun:Chou Ota- Vaccination  1934

Wenzel Hablik (1881 – 1934)

youcannottakeitwithyou:Martin Leman (British, *1934) 

thirdorgan:Ismael Nery (Brazil, Belém PA 1900 - Rio de Janeiro RJ 1934) Sem Título

yesterdaysprint:Star Tribune, Minneapolis, Minnesota, February 15, 1934

advertisingpics:Title: 1934 Cointreau New Years Eve “World’s largest selling liqueur” with “side car

via-appia:Tannhäuser in the Venusberg, 1901John Collier (1850–1934)

The Headless Horseman (1934)

amarguerite:divineandmajesticinone:WONDER BAR (1934) | dir. Lloyd Bacon “The other [scene that stand

Paul Kelpe (1902-1985) — Man and Machinery  (oil, canvas, 1934)

weltenwellen:Anaïs Nin, Fire: From “A Journal of Love”: The Unexpurgated Diary of Anaïs Nin, 1934–19

Fausto Pirandello - Palestra (1934/35)

Ricardo Verdugo Landi (Spanish; 1871–1934)Looking for Shells on the Beach ca. 1920–30Oil on canvasCo

myfairynuffstuff:Christopher Williams (1873 - 1934) - Venice, Moonlight. 1925. Oil on canvas.

Christopher Williams (1873 - 1934) - Venice, Moonlight. 1925. Oil on canvas.

Liaisons dangereuses - George Barbier, ill. - 1934 (marked public domain) - via Gallica

Liaisons dangereuses - George Barbier, ill. - 1934 (marked public domain) - via Gallica

Femme nue allongée de dosCharles Martin (French, 1848–1934)

Nude with chemise , ca. 1925Charles Martin (French, 1848–1934)

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