Abstract Expression

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dylan learyredhead musclecastleoblivionspsychedelicuddlepiercinggranada

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LIVE

Canto / Chant (2020) Técnica mista (carvão, pintura a tinta da china em papel) / Mixed

Mark Rothko, No. 5, 1958. Oil and acrylic on canvas, 66 x 41 3/8 in. © 1998 Kate Rothko Pr

Mark Rothko, Untitled (Green on blue), 1968 © 1998 Kate Rothko Prizel & Christopher Rot

Mark Rothko, Untitled ( Blue, Red, Black on Red), 1967,  acrylic on paper laid down on panel, 2

Mark Rothko, Untitled, 1955, Oil on canvas © 1998 Kate Rothko Prizel & Christopher Rot

Mark Rothko, Untitled, 1968, Acrylic on paper © 1998 Kate Rothko Prizel & Christopher R

Mark Rothko, Untitled (Black, Pink, Yellow Over Orange), 1950-51, Oil on Canvas© 1998 Kate Roth

Mark Rothko, Untitled, 1969, Tempera,  Yale University © Kate Rothko Prizel & Chri

Mark Rothko, Untitled, 1959signed and dated “MARK ROTHKO 1959” on the rever

Mark Rothko, Untitled, 1949 © 1998 Kate Rothko Prizel & Christopher Rothko/Artists Righ

Mark Rothko, Untitled, 1953 © 1998 Kate Rothko Prizel & Christopher Rothko/Artists Righ

Mark Rothko, No.7, 1964 One of the Black Form paintings set © 1998 Kate Rothko Prizel &amp

Mark Rothko, No. 21 (Red, Brown, Black and Orange), 1951 © 1998 Kate Rothko Prizel & C

Mark Rothko, Untitled (Orange and Yellow), 1956 © 1998 Kate Rothko Prizel & Christopher

Mark Rothko, Untitled, 1947 Oil on canvas, NGA © 1998 Kate Rothko Prizel & Christopher

Mark Rothko, Untitled, 1956, Oil on canvas © 1998 Kate Rothko Prizel & Christopher Roth

Mark Rothko, Untitled, 1968 Acrylic on paper mounted on Masonite 24 1/16 x 18 1/8 x 1 7/16 inches H

Mark Rothko, Untitled, 1947 © Kate Rothko Prizel and Christopher Rothko / ARS

Mark Rothko, Untitled, 1968 © 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rig

Targets

Doodles 1 - Animal ppl again

Untitled piece by Franz Kline (1955)

Source #7, Leon Berkowitz, 1976Oil on canvas98 ¾ x 79 in. (250.7 x 200.6 cm)Smithsonian Ameri

“The most solid advice for a writer is this, I think: Try to learn to breathe deeply, really t

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