Abstract Modernism
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From the archive: invitation for a 1935 group exhibition at Secession Gallery in New York, which inc
From the archive: invitation for a 1935 group exhibition at Secession Gallery in New York, which inc
Watch Sanford Hirsch, Executive Director of the Gottlieb Foundation, read from the archive Gottlieb’
Watch Sanford Hirsch, Executive Director of the Gottlieb Foundation, read from the archive Gottlieb’
Sixty-seven years ago today: Adolph Gottlieb is the primary organizer of a protest with seventeen ot
Sixty-seven years ago today: Adolph Gottlieb is the primary organizer of a protest with seventeen ot
Adolph Gottlieb“Augury”194540 x 30”Oil on canvasTwo Adolph Gottlieb paintings, “Augury” and “Red Bir
Adolph Gottlieb“Augury”194540 x 30”Oil on canvasTwo Adolph Gottlieb paintings, “Augury” and “Red Bir
Adolph GottliebRecurrent Apparition 1946 Oil on canvas 36 x 54” In April of 1954, a retrospective of
Adolph GottliebRecurrent Apparition 1946 Oil on canvas 36 x 54” In April of 1954, a retrospective of
New In the gallery: JAMES HAVARD (b. 1937) “Ronda Espana”, 2005, oil and wax on panel, 19 x 17 inche
New In the gallery: JAMES HAVARD (b. 1937) “Ronda Espana”, 2005, oil and wax on panel, 19 x 17 inche
Mechanical Element IFernand Léger (French; 1881–1955)1924 Oil on canvas Smith College Museum of Art,
Mechanical Element IFernand Léger (French; 1881–1955)1924 Oil on canvas Smith College Museum of Art,
Neutra, acrylic on canvas 50 x 50cm.
Neutra, acrylic on canvas 50 x 50cm.
Frank Auerbach — Head of Paula Eyles, 1972.  Paint: mixed media. Expressionist PortraitsFemale Por
Frank Auerbach — Head of Paula Eyles, 1972.  Paint: mixed media. Expressionist PortraitsFemale Por
Frank Auerbach — Head of E.O.W., 1957.  Painting: oil on canvas, 51 x 41 cm. Marlborough Fine Art,
Frank Auerbach — Head of E.O.W., 1957.  Painting: oil on canvas, 51 x 41 cm. Marlborough Fine Art,
Joan Mitchell (American, 1925-1992), Blues Away, 1964. Oil on canvas, 50.8 x 43.2 cm.
Joan Mitchell (American, 1925-1992), Blues Away, 1964. Oil on canvas, 50.8 x 43.2 cm.
Vassily Kandinsky (French, born Russia; 1866–1944)Three TrianglesOil on canvas, 1938La Galleria Inte
Vassily Kandinsky (French, born Russia; 1866–1944)Three TrianglesOil on canvas, 1938La Galleria Inte
ConstructionAlexandra Exter (Russian; 1882–1949)ca. 1922–23Oil on canvasThe Museum of Modern Art, Ne
ConstructionAlexandra Exter (Russian; 1882–1949)ca. 1922–23Oil on canvasThe Museum of Modern Art, Ne
Jackson Pollock, Blue Poles, 1952.
Jackson Pollock, Blue Poles, 1952.
Frank Auerbach — Playing Card - Two Heads J.Y.M., 1969.  Printmaking: screenprint on paper, 82 x 61
Frank Auerbach — Playing Card - Two Heads J.Y.M., 1969.  Printmaking: screenprint on paper, 82 x 61
James Fitton, White Wedding (The Bride), 1960.
James Fitton, White Wedding (The Bride), 1960.
Max Ernst, Bird Monument, 1927.
Max Ernst, Bird Monument, 1927.
Ernst Ludwig Kirchner, The Red Tower in Halle, 1915.
Ernst Ludwig Kirchner, The Red Tower in Halle, 1915.
Mario Nigro, Spazio totale: Divergenze, 1962. ©Studio Invernizzi, Milano, photo Bruno Bani, Milano.
Mario Nigro, Spazio totale: Divergenze, 1962. ©Studio Invernizzi, Milano, photo Bruno Bani, Milano.
Rufino Tamayo - Tres Personajes (1970)
Rufino Tamayo - Tres Personajes (1970)
UntitledFernand Léger (French; 1881–1955)1952One of five (i.e., four) original color li
UntitledFernand Léger (French; 1881–1955)1952One of five (i.e., four) original color li
Vassily Kandinsky (French, born Russia; 1866–1944)Tunis, la baie = The Bay of Tunis Oil on boa
Vassily Kandinsky (French, born Russia; 1866–1944)Tunis, la baie = The Bay of Tunis Oil on boa
“Who’s afraid of Red, Yellow and Blue”, Barnett Newman, 1966
“Who’s afraid of Red, Yellow and Blue”, Barnett Newman, 1966
Baroness Elsa von Freytag-Loringhoven, Dada Portrait of Berenice Abbott, c. 1923–6.
Baroness Elsa von Freytag-Loringhoven, Dada Portrait of Berenice Abbott, c. 1923–6.
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