Aco

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aconissa:Carl Gustav Carus, The Goethe Monument (1832)

aconissa: Dead Ringers (1988) / Louise Bourgeois, Untitled (1986)

aconissa:Embroidery hoop based on the ‘Skeleton Praying’ detail on the marble floor of C

aconissa:René Magritte, The Castle of the Pyrenees, 1959 / Peter Garfield, Mobile Home (

aconissa:Rebecca Solnit, The Faraway Nearby

aconissa: Jeanette Winterson, Why Be Happy When You Could Be Normal?

aconissa:Depictions of Saint Sebastian in art: Nicolas Régnier (1620), Glyn Philpot (1932), M

aconissa: Rezi van Lankveld, Píeta / Michelangelo, Pietà / William-Adolphe Bouguer

aconissa:Poet James Schuyler to painter John Button (Spring 1956) 

aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t

aconissa:Embroidery hoop based on the ‘Skeleton Praying’ detail on the marble floor of C

aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t

aconissa: happy april 22nd ✌️

prudencepaccard:aconissa:Poet James Schuyler to painter John Button (Spring 1956)  a visual aid

a long time ago @aconissa requested that andrew/laurie kiss…….which&hellip

aconissa:A KIND OF MUTUAL HAUNTINGRare Monk, ‘Happy Haunting’Emily Brontë, Wutherin

aconissa:I LOVE THE WORLD IN LOVING YOUChen Chen, ‘Elegy’Mitski, ‘Strawb

aconissa:happy april 22nd ✌️

aconissa: THE WOUND (WO)MANArman, Marizibill / @ffoart / Hans von Gersdorff, from Feldtbuch der Wund

rebakitt3n: aconissa:choose your fighter (bacchae edition): hippie ben whishaw dionysus who runs the

aconissa: Holywell Cemetery, Oxford, UK (November 2020)

aconissa:Poet James Schuyler to painter John Button (Spring 1956) 

aconissa: this is obviously a coincidence but I’m really amused that these two covers use the

aconissa: OUR GOD IS SILENT; OUR GOD IS EATENMargaret Atwood, ‘Eating Snake’, Interlunar

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