Amy Art

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LIVE

Eugene Delacroix, The Abduction of Rebecca (1846). Met.

“Ginger,” oils.

Mountain Laurel Foxes, 2014. Derwent tinted charcoal, soft drawing pencil, colored pencil, and paste

New drawing, working on a new surface. Derwent tinted charcoals, Derwent soft drawing pencils, Pitt

Blue Mew. Le Pen, Reeves Watercolor, Gelly Roll in my Moleskine.

doodling as recovery

Cat bottoms. Micron, Reeves watercolor, Sharpie, Gelly Roll, Moleskine.

So it turns out that Sandy actually doubles as the Dream Lord. Who’d have thunk it?

Mary Magdalen in Ecstasy by Caravaggio (1606), Artemisia Gentileschi (n.d.), and Orazio Ge

Jan Frans Portaels, A Sicilian Woman and A Sicilian Bride (1861)

Rembrandt, Flora, detail (1634)

artmastered: Peter Paul Rubens, The Deposition, 1602, oil on canvas, 180 x 137 cm, Galleri

painters-in-color: Paul Cézanne outside his studio at Les Lauves in Provence. Photo was taken

blantonmuseum: This week’s #FrameFriday features the scrolled edges that encase Bartolomeo Gui

todayinhistory: April 26th 1937: Bombing of Guernica On this day in 1937, during the Spanish Civil W

artistandmuse: Model Ferguson Weir

Vermeer, Detail from Young Girl Reading a Letter by an Open Window (c. 1659)

Workmen at the Metropolitan Museum of Art, New York, uncrating Caravaggio’s The Madonna of

I had the best day yesterday @thegetty

Valentin de Boulogne, Christ and the Adulteress (1620s) One of my favorite accounts o

Murillo, Detail from The Magdalene (1650)

art-and-fury: Prometheus - Ilya Repin (see)

Rome, 2007. #rome #roma #pantheon #afterglow #arthistory #latergram

Diego Velázquez.

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