Ancient Painting
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Relief depicting a porter with a basket of fledglings, from the Mastaba of Princess Sesheshet Idutat
Relief depicting a porter with a basket of fledglings, from the Mastaba of Princess Sesheshet Idutat
Black-figure column-krater depicting a charioteer in a quadriga and two youths on horseback (top) an
Black-figure column-krater depicting a charioteer in a quadriga and two youths on horseback (top) an
Epichysis (jug) depicting a winged woman breastfeeding an infant.  Artist unknown; beginning of 3rd
Epichysis (jug) depicting a winged woman breastfeeding an infant.  Artist unknown; beginning of 3rd
Apulian red-figure lekane (broad, two-handled bowl) depicting two Nereids riding hippocampi and hold
Apulian red-figure lekane (broad, two-handled bowl) depicting two Nereids riding hippocampi and hold
Two female acrobats.  Side A of a Campanian red-figure bell-krater, attr. to an artist of the Rhombo
Two female acrobats.  Side A of a Campanian red-figure bell-krater, attr. to an artist of the Rhombo
theartofrabbits:Rabbit with Figs, wall painting from ancient Herculaneum, 45-79 CE
theartofrabbits:Rabbit with Figs, wall painting from ancient Herculaneum, 45-79 CE
The Sack of Rome by the Barbarians in 410Painted by Joseph Noel Sylvestre in 1890.
The Sack of Rome by the Barbarians in 410Painted by Joseph Noel Sylvestre in 1890.
Neoptolemus kills King Priam during the sack of Troy.  Attic black-figure amphora, attr. to an artis
Neoptolemus kills King Priam during the sack of Troy.  Attic black-figure amphora, attr. to an artis
The Rape of the Sabines: The Invasion, Charles Christian Nahl, 1871
The Rape of the Sabines: The Invasion, Charles Christian Nahl, 1871
Dido and Aeneas (sometimes identified as Venus and Mars).  Fresco in the Third Style from the House
Dido and Aeneas (sometimes identified as Venus and Mars).  Fresco in the Third Style from the House
Mucius Scaevola in the Presence of Lars Porsenna, Matthias Stom, early 1640s
Mucius Scaevola in the Presence of Lars Porsenna, Matthias Stom, early 1640s
Mucius Scaevola before Porsenna, Giovanni Antonio Pellegrini, between 1706 and 1708
Mucius Scaevola before Porsenna, Giovanni Antonio Pellegrini, between 1706 and 1708
thrOWback to that time my ancient greek art professor showed us a vase painting of Achilles with thi
thrOWback to that time my ancient greek art professor showed us a vase painting of Achilles with thi
art-through-the-ages:Painted portrait of Septimius Severus and his family, from Egypt, ca. A.D. 200.
art-through-the-ages:Painted portrait of Septimius Severus and his family, from Egypt, ca. A.D. 200.
A trainer instructs young equestrians.  Side B of an Attic red-figure kylix (wine-drinking cup with
A trainer instructs young equestrians.  Side B of an Attic red-figure kylix (wine-drinking cup with
grandegyptianmuseum:Painting from the tomb of Nakht depicting three female musicians.
grandegyptianmuseum:Painting from the tomb of Nakht depicting three female musicians.
Erechtheion, The Porch of Caryatids by Vasily Polenov1882oil on canvasTretyakov Gallery, Moscow 
Erechtheion, The Porch of Caryatids by Vasily Polenov1882oil on canvasTretyakov Gallery, Moscow 
A herdsman with two cows.  Attic red-figure cup in the shape of a hoof, by an artist related to the
A herdsman with two cows.  Attic red-figure cup in the shape of a hoof, by an artist related to the
autreshorizons:Dionysus extending a drinking cup (kantharos), late 6th century BC.
autreshorizons:Dionysus extending a drinking cup (kantharos), late 6th century BC.
Dionysus in his panther-drawn chariot.  Side A of an Attic red-figure pelike, attr. to the Pasithea
Dionysus in his panther-drawn chariot.  Side A of an Attic red-figure pelike, attr. to the Pasithea
A Siren.  Miniature squat red-figure lekythos, attr. to the Seireniske Painter; mid-5th cent. BCE. 
A Siren.  Miniature squat red-figure lekythos, attr. to the Seireniske Painter; mid-5th cent. BCE. 
Cleopatra, Gustave Moreau, 1887
Cleopatra, Gustave Moreau, 1887
A scene in ancient Rome, setting for Titus Andronicus, Act 1, Scene 3, 1830 by  Joseph Gandy
A scene in ancient Rome, setting for Titus Andronicus, Act 1, Scene 3, 1830 by  Joseph Gandy
Minerva Teaches Sculpture to the People of Rhodes, René-Antoine Houasse, before 1688
Minerva Teaches Sculpture to the People of Rhodes, René-Antoine Houasse, before 1688
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