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aozoramusume: Michiyo Kogure in ‘The Portrait of Madame Yuki’ (1950), directed by Kenji Mizoguchi
aozoramusume: If I Had Four Dromedaries (Chris Marker, 1966)
aozoramusume: The Water Magician (Kenji Mizoguchi, 1933)
aozoramusume:Setsuko Hara in A Woman in the Typhoon Area (Hideo Oba, 1948)
aozoramusume: Tokyo Blood: Bicycle (Gakuryu Ishii, 1993)
aozoramusume: Fruits of Passion (Shuji Terayama, 1981)
aozoramusume:Dragnet Girl (Yasujiro Ozu, 1933)
aozoramusume: Photographed by Pyotr Vedenisov, 1910s
aozoramusume:Under the Blossoming Cherry Trees (Masahiro Shinoda, 1975)
aozoramusume:The End (Christopher Maclaine, 1953)
aozoramusume:Émotion (Nobuhiko Obayashi, 1966)
aozoramusume:Êsse Mundo é Meu (Sérgio Ricardo, 1964)
aozoramusume:Tokyo.sora (Hiroshi Ishikawa, 2002)
aozoramusume: Chinese American actress Maylia (also known as Gloria Fong), 1940s
cafeinevitable: Dragnet Girl (1933) dir. Yasujiro Ozu (via aozoramusume)
aozoramusume: Photographed by Pyotr Vedenisov, 1910s
aozoramusume:Shu Qi in “City of Glass” (Mabel Cheung, 1998)
aozoramusume:Ayako Wakao in Nihonbashi (1956)
aozoramusume:Ayako Wakao in Nihonbashi (1956)
aozoramusume: Tokyo Blood: Bicycle (Gakuryu Ishii, 1993)
aozoramusume:Rice (Tadashi Imai, 1957)
aozoramusume:Beautiful Sunday (Tetsuya Nakashima, 1998)
aozoramusume: The Face of Another (Hiroshi Teshigahara, 1966)
aozoramusume: Setsuko Hara and Yoshiko Kuga in ‘Being a Woman’ (女であること) (1958)
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