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Scaffolding for a Large Arch. Below the arch runs a wooden bridge, on which two figures are striding
met-drawings-prints:Frieze with Consoles, Putti, and Garlands (Recto Fragment of Architectural desig
J. Helfft, The Music Room of Fanny Hensel, 1849. Brush and watercolor, graphite on paper. Fanny Hens
Indoor Mall with Plants, Architectural Record 1975.
Architectural Sculpture: Un capital medieval (románico), Catedral, Santiago de Compostela, 2012.Some
rabbitcult:“Architectural details of Reims Cathedral, a masterpiece of the gothic art, France (by Si
Fashion Show, 1864. Interior View of the Academy of Music as Seen from Dress Circle. Colored inks. P
ironicallyantiquated:Architectural concept art by the late, great Adam Adamowicz for The Elder Scrol
design-is-fine:Hugh Ferriss, Architectural Design of Egyptian Columns, 20th century. USA. Cooper Hew
bunjywunjy:nae-design:Ukrainian architectural patissier Dinara Kasko‘s works are mesmerising boy I s
focus-damnit:(via good reads: architectural digest españa. / sfgirlbybay)
Arne Jacobsen, sketch of the bathroom interior for the SAS Royal Hotel Copenhagen, 1955. Via kunstbi
View of the Ponte Vecchio, Florence by Antonietta Brandeis
The tomb of William the Silent in an Imaginary Church by Bartholomeus van Bassen
jeannepompadour:Figures in a classic colonnaded gallery by Monogrammist PW and Willem Cornelisz. Duy
Ara Derderian, Architectural Record 1970
Architectural details at Casa Gallardo in Madrid, Spain (by Carlos Viñas).
Architectural drawing of a greek temple
Rebel Nature. #art #artwalk #streetart #spraypaint #nature #photo #photography #architecture #archit
Not equal to. #artwork #art #photo #photography #architecture #architectural #architecturalphotograp
Trinidad Santa y Sagrada Familia, fachada de la catedral, Cusco, 2010.The Holy Ghost is Represented
arquemesta:Saint Seiya - Architectural elementsand Shun always taking a look…
Donato Bramante, the parchment planfor St. Peter’s, 1505. Uffici, Florence. The design is base
Colin King bts from Architectural Digest.
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