Art Decoration
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“I don’t plan to give up my favorite decoration. I like Mario where he is.”
“I don’t plan to give up my favorite decoration. I like Mario where he is.”
Source
Source
118v, Gospels, Sang. 51, Stiftbibliothek
118v, Gospels, Sang. 51, Stiftbibliothek
67r, Gospels, Sang. 51, Stiftsbibliothek
67r, Gospels, Sang. 51, Stiftsbibliothek
Reclining PuttoGuercino (Italian; 1591–1666)1626–27Red chalk on paper The British Museum, London | ©
Reclining PuttoGuercino (Italian; 1591–1666)1626–27Red chalk on paper The British Museum, London | ©
“Roseraie” (Evening Dress)Jeanne Lanvin (French; 1867–1946)Summer 1923White tulle, overa
“Roseraie” (Evening Dress)Jeanne Lanvin (French; 1867–1946)Summer 1923White tulle, overa
Jan Toorop(Dutch,1858-1928);Wall decoration for Beurs van Berlage Café,date unknown.Ян Тороп (Голлан
Jan Toorop(Dutch,1858-1928);Wall decoration for Beurs van Berlage Café,date unknown.Ян Тороп (Голлан
Pierre-Louis Flouquet (1900-1967), ‘Decoration for ’‘Coeur a Gaz“ de Tristan Tzara, &ldq
Pierre-Louis Flouquet (1900-1967), ‘Decoration for ’‘Coeur a Gaz“ de Tristan Tzara, &ldq
songesoleil:Decoration zu der Oper : Die Zauberflöte.Art by Karl Friedrich Schinkel.(1781-1841).
songesoleil:Decoration zu der Oper : Die Zauberflöte.Art by Karl Friedrich Schinkel.(1781-1841).
Finial, Islamic ArtMedium: Bronze; cast, engraved and openwork decoration.Louis E. and Theresa S. Se
Finial, Islamic ArtMedium: Bronze; cast, engraved and openwork decoration.Louis E. and Theresa S. Se
Mosaic Bookbinding, 1929Binding by Ludvík Bradáč (Czech; 1885–1947)Green morocco, gilt, with inlays
Mosaic Bookbinding, 1929Binding by Ludvík Bradáč (Czech; 1885–1947)Green morocco, gilt, with inlays
Saint Maximinus (up-right & down-left), and Saint Valantinus, photographed by Toby de Silva | We
Saint Maximinus (up-right & down-left), and Saint Valantinus, photographed by Toby de Silva | We
Corner of living room, with Matisse Lithograph  - Cressida  Campbell’s Home Photo – Sean FennessyThi
Corner of living room, with Matisse Lithograph  - Cressida  Campbell’s Home Photo – Sean FennessyThi
Ernst Ewald (German; 1836–1904), compilerFontainebleau. Galerie François I = Francis I Gallery at Fo
Ernst Ewald (German; 1836–1904), compilerFontainebleau. Galerie François I = Francis I Gallery at Fo
Black Hen and a SunflowerJapan, Momoyama Period (1568–1615)Hanging scroll (color and ink on paper)Fr
Black Hen and a SunflowerJapan, Momoyama Period (1568–1615)Hanging scroll (color and ink on paper)Fr
Black Hen and a Sunflower (detail)Japan, Momoyama Period (1568–1615)Hanging scroll (color and ink on
Black Hen and a Sunflower (detail)Japan, Momoyama Period (1568–1615)Hanging scroll (color and ink on
The Adoration of the MagiLate follower of Robert Boyvin (French; active early 16th century)Leaf from
The Adoration of the MagiLate follower of Robert Boyvin (French; active early 16th century)Leaf from
Blessed | devyem
Blessed | devyem
Kleine Straße und goldene Wanddekoration, Bremen, 1972.
Kleine Straße und goldene Wanddekoration, Bremen, 1972.
Emily Berl
Emily Berl
Décoration sous verre papier collé-découpé pour un cadeau All made by myself 
Décoration sous verre papier collé-découpé pour un cadeau All made by myself 
Royal Monastery of Santa Clara, Tordesillas, Castile and León, Spain.
Royal Monastery of Santa Clara, Tordesillas, Castile and León, Spain.
Fragment of a Bowl, Islamic ArtMedium: Earthenware; incised decoration through white slip and colori
Fragment of a Bowl, Islamic ArtMedium: Earthenware; incised decoration through white slip and colori
Animal style art is an approach to decoration found from China to Northern Europe in the early Iron
Animal style art is an approach to decoration found from China to Northern Europe in the early Iron
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