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artisticinsight:Detail of Portrait of Queen Amélie of Orléans, 1905, by Vittorio Matte
artisticinsight:Still-life with Oranges, c. 1863, Rafael Romero Barros (1832-1895)
artisticinsight: Nocturne in Black and Gold - The Falling Rocket, 1875, by James Abbott McNeill Whi
artisticinsight: Paintings from the Water Lilies (also known as Nymphéas) series, by&nbs
artisticinsight: For of Such is the Kingdom of Heaven, 1891, by Frank Bramley (1857-1915)
artisticinsight:Still-life with Oranges, c. 1863, Rafael Romero Barros (1832-1895)
artisticinsight:Evening Mood, 1882, and Dawn, 1881, by William-Adolphe Bouguereau (1825-1905)
artisticinsight: Sea Landscapes by Japanese artist Fujishima Takeji (1867-1943) The Sea at Sunrise
artisticinsight: Women of Amphissa, 1887, by Lawrence Alma-Tadema (1836-1912). Here Lawrence Alma-T
artisticinsight: Still-life with Oranges, c. 1863, Rafael Romero Barros (1832-1895)
artisticinsight:Ophelia, 1880, by Sarah Bernhardt (1844-1923)
artisticinsight: Mary Moser (1744-1819) Born in 1733, Mary Moser’s father, George Michael Mo
artisticinsight: Sea Landscapes by Japanese artist Fujishima Takeji (1867-1943) The Sea at Sunrise
artisticinsight:The Five Senses, 19th century, by Hans Makart (1840-1884)
artisticinsight:Portrait of Princess Sibylle of Cleve, 1526, by Lucas Cranach the Elder (1472-
artisticinsight: Summer Evening on the Souther Beach, 1893, by Peder Severin Krøyer (1851-190
artisticinsight: Details in Pink Afternoon Tea for Three, by Frédéric Soulacroix
artisticinsight: Self-Portrait with Physalis, 1912, and Portrait of Wally, 1912, by Egon Schiele (18
artisticinsight: Ophelia, 1880, by Sarah Bernhardt (1844-1923)
artisticinsight: Detail of Wilhelmine Begas, the Artists Wife, 1828, by Carl Joseph Begas (1794-1854
artisticinsight: Still-life with Oranges, c. 1863, Rafael Romero Barros (1832-1895)
artisticinsight:Details of An Allegory of Art, 1892, by Luis Ricardo Falero (1851-1896)
artisticinsight:Ophelia, 1880, by Sarah Bernhardt (1844-1923)
artisticinsight: The Intoxication of Wine, ca. 1780-90, by Clodion (Claude Michel)
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