TumblrPics.com
HOME
DMCA
Live
Gallery
Viewer
Athe
신재은
chastitybeach
haribolicious
thealmostblackswordsman
kakurenbo
LIVE
adokal:Greeks by Louis Dupré , Voyage a Athenes et a Constantinople, ou collection des portra
adokal: Demetrios Mavromichalis, before 1820, by Louis Dupré, Voyage a Athenes et a Con
Michael Krebber at Radio Athènes
Dumbasses enjoying the bus ride to the hotel (at Athenes International Airport , Greece)
Joseph-Philibert Girault de Prangey Athènes. Tour des Vents. Daguerreotype. n.d.[1842] T
Joseph-Philibert Girault de Prangey Athènes. 1842. Tour des Vents. Daguerreotype. Titled
Joseph-Philibert Girault de Prangey Athènes. 1842. Parthénon. Faç.[ade] Es
Joseph-Philibert Girault de Prangey Athènes. M.[onumen]t de Philopapus. Daguerreotype. n.d.[1
Joseph-Philibert Girault de Prangey Athènes. 1842. Propylées. Pris de l'Int&eacut
Joseph-Philibert Girault de Prangey Athènes. Acropole. T[emple] de Vénus Apt&egra
anne-sophie-tschiegg: Athènes 350av JC marbre et pierres
L'Agora romaine d'Athènes en 1842. Photo: Joseph-Philibert Girault de Prangey.
Joseph-Philibert Girault de Prangey Athenes. 1842. Parth‚non. Fa‡.[ade] et C.[olon
Joseph-Philibert Girault de Prangey Athenes. 1842. T.[emple] de J.[upiter] Olympien. pris de l'
Joseph-Philibert Girault de Prangey Athenes. 1842. T.[emple] de Min.[erve] Pol.[iade] Fa&Dagger
adokal: Demetrios Mavromichalis, before 1820, by Louis Dupré, Voyage a Athenes et a Con
Prison of Socrates, Acropolis, Athens, GreecePart of a two-storey house of the Classical age, on the
hismarmorealcalm: JOSEPH-PHILIBERT GIRAULT DE PRANGEY (1804-1892) Athenes 1842 Propylees Pris
Atterrissage à AthènesAthènes, Grèce ©
Sotiris Fen for Petit Paris d’ AthènesMetaxourgeio 2019
ancientanimalart:Chariot attachmentRoman2nd century-4th century CEWadsworth Atheneum Museum of Art (
Annunciation, Master of the Hartford Annunciation (French - School of Amiens), ca. 1480
Apollo resting on a tripod. Roman copy (1st or early 2nd cent. CE) after a Greek original. Now in
incolours:Atheneum today, Bucharest, 17/1/2016by Dragos Asaftei
Prev Page
Next Page