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La crucifixion.Oil on panel made with three non-craddle planks.Signed and dated lower right.64.5 x 1
Pietro Paolini (Italian; 1603–1681)Allegory of the Five Sensesca. 1630Oil on canvasThe Walters Art M
incalescentheart:San Francisco at sunset & the clouds decided to be baroque art.
Circle of Johann Nepomuk Mayrhofer (1764–1832)Grapes, peaches and a nasturtium, with a moth on a led
Orpheus Torn to Shreds by the Bacchantes by Grégoire Huret (1640-43)
Hercules and Omphale by Benedetto Gennari (1675-77)
Diana as the Huntress by Bernardino Cametti (1720)
Venus Preparing for the Judgement of Paris but Already Receiving the Golden Apple from Cupid by Jean
Gian Lorenzo Bernini, The Ecstasy of St. Teresa1647 - 1652
Antonio Gianlisi (1677-1727)Tulips, poppies and various other flowers on a gold plate on a table wi
Follower of Henri Gascar (b. ca. 1635–1701)Portrait of Princess Sophie Dorothea of Brunswick-Lünebur
The Flight into Egypt, Francisco de Zurbarán, 1630s
Portrait of a Man on Horseback, unknown artist (Spanish School), 1610s
St. Cecilia with an Angel, Orazio Gentileschi and Giovanni Lanfranco, between ca. 1617 and ca. 1627
Allegorical Family Portrait, Jan de Bray, 1670
The Death of Hercules, Francisco de Zurbarán, 1634
Bartolomeo Bettera (1639 - 1699)Bergamo 1639, “Natura Morta con Strumenti Musicali, Spartiti, Mappa
BacchantePierre-Étienne Monnot (French; 1657–1733)created in Rome between 1692 and 1714Gilt terracot
The Adoration of the Shepherds, Nicolas Poussin, ca. 1655
The Lady with a Fan, c.1640 (detail) by Diego Velazquez (Spanish, 1599-1660)
Portrait of a Bearded Man in a Wide Brimmed Hat, 1633, Rembrandt Van Rijn
Portrait of Fra Antionio Martelli, 1608, CaravaggioSize: 95.5x118.5 cmMedium: oil, canvas
Harbour Scene, Claude LorrainSize: 19x25.9 cm
The Denial of Saint Peter, 1650, Francisco de ZurbaranSize: 161x120 cm
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